tag:blogger.com,1999:blog-39751451889675706782024-03-19T01:48:29.589-07:00Pop! Goes The Legal<center>A blog to discuss the way law and justice is portrayed in popular media</center>Cass Sharphttp://www.blogger.com/profile/15210295670379120340noreply@blogger.comBlogger30125tag:blogger.com,1999:blog-3975145188967570678.post-1058873023322514882022-03-03T20:19:00.002-08:002022-03-03T20:19:30.485-08:00Book Release - Hashtag Jurisprudence<h2 style="text-align: center;">Announcing the release of my book</h2><h2 style="text-align: center;"><i>Hashtag Jurisprudence - Terror and Legality on Twitter</i></h2><div><i><br /></i></div><div><div class="separator" style="clear: both; text-align: center;"><a href="https://blogger.googleusercontent.com/img/a/AVvXsEiszOLwKT3QXdkiFURPaUakbp4ZZ48yhpLknUtyErwXCXPPzZ1WQ9xEwmHGe0EFFQiaskyQUmYvVVe7L9WfPHvfcmzjlT53r8v7Rfd_j6x2ZJS_kXmXuScIdUUlzzKG_gcTQ_BxEhrZjyjxXaOb2hjifGLm_wasjgD7wN2VKFm187qF6ZjfpW0lbeNG=s497" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="497" data-original-width="325" height="640" src="https://blogger.googleusercontent.com/img/a/AVvXsEiszOLwKT3QXdkiFURPaUakbp4ZZ48yhpLknUtyErwXCXPPzZ1WQ9xEwmHGe0EFFQiaskyQUmYvVVe7L9WfPHvfcmzjlT53r8v7Rfd_j6x2ZJS_kXmXuScIdUUlzzKG_gcTQ_BxEhrZjyjxXaOb2hjifGLm_wasjgD7wN2VKFm187qF6ZjfpW0lbeNG=w418-h640" width="418" /></a></div><div class="separator" style="clear: both; text-align: center;"><br /></div><div class="separator" style="clear: both; text-align: center;"><span style="background-color: white; color: #333333; font-family: fieldwork, sans-serif; font-size: 16px; text-align: start;">In this book I demonstrate the value of social media analysis for understanding law better. I showcase the use of empirical analysis to illustrate that the response of individuals to global terror events, via social media, provokes an opportunity to interpret the ways in which individuals view their place in the world and their relation to law and justice. It is through analysing these responses that I demonstrate the existence of a ‘hashtag jurisprudence’.</span></div><div class="separator" style="clear: both; text-align: center;"><span style="background-color: white; color: #333333; font-family: fieldwork, sans-serif; font-size: 16px; text-align: start;"><br /></span></div><div class="separator" style="clear: both; text-align: start;"><span style="color: #333333; font-family: fieldwork, sans-serif;"><span style="background-color: white;">Published by Edward Elgar it is available now and you can find all the details <a href="https://www.e-elgar.com/shop/gbp/hashtag-jurisprudence-9781800372580.html" target="_blank">here</a>. </span></span></div><div class="separator" style="clear: both; text-align: start;"><span style="color: #333333; font-family: fieldwork, sans-serif;"><span style="background-color: white;"><br /></span></span></div><br /><i><br /></i></div>Cass Sharphttp://www.blogger.com/profile/15210295670379120340noreply@blogger.com0tag:blogger.com,1999:blog-3975145188967570678.post-59407518510061753872020-02-04T18:04:00.000-08:002020-02-04T18:04:29.886-08:00LTC Vol 23 (2019) Available now<div class="separator" style="clear: both; text-align: center;">
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<span style="font-family: Trebuchet MS, sans-serif;"><i>"Over the last decade there has been an increased interest in materiality
within legal scholarship, as well as in related disciplines that study
law and its practices. Much of it has accounted for the concrete
and complex manifestations of law through various materials: from
formats of inscription to other mediated devices, such as files and
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<span data-offset-key="1v35o-0-0" style="background-color: white; color: #14171a; white-space: pre-wrap;"><span style="font-family: Trebuchet MS, sans-serif;"><b style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: black; margin: 0px; outline: 0px; padding: 0px; text-align: left; vertical-align: baseline; white-space: normal;">Law Text Culture</b><span style="color: black; text-align: left; white-space: normal;"> is a trans-continental peer reviewed journal. It publishes critical thinking and creative writing across a range of genres - from artwork and fiction to the traditional scholarly essay. Law Text Culture incites a dialogue crossing disciplines, exciting, in each, fresh perspectives along three axes of inquiry: </span><b style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: black; margin: 0px; outline: 0px; padding: 0px; text-align: left; vertical-align: baseline; white-space: normal;">* Politics</b><span style="color: black; text-align: left; white-space: normal;">: engaging the relationship of force and resistance; </span><b style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: black; margin: 0px; outline: 0px; padding: 0px; text-align: left; vertical-align: baseline; white-space: normal;">* Aesthetics</b><span style="color: black; text-align: left; white-space: normal;">: eliciting the relationship of judgment and expression; and * </span><b style="background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: black; margin: 0px; outline: 0px; padding: 0px; text-align: left; vertical-align: baseline; white-space: normal;">Ethics</b><span style="color: black; text-align: left; white-space: normal;">: exploring the relationship of self and other. Law Text Culture promotes the exploration of these aspects of these themes through special issues.</span></span></span></div>
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Cass Sharphttp://www.blogger.com/profile/15210295670379120340noreply@blogger.com3tag:blogger.com,1999:blog-3975145188967570678.post-47419425285721404642019-03-10T22:30:00.000-07:002019-03-10T22:30:51.540-07:00CALL FOR ABSTRACTS - JURIS APOCALYPSE NOW. LAW IN END TIMES LLHAA 2019 CONFERENCE<br />
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<span style="font-size: 13.5pt;">Southern Cross University School of Law and Justice, in partnership with the <i><span style="border: 1pt none windowtext; padding: 0cm;">Law, Literature and the Humanities Association of Australasia (LLHAA)</span></i><span style="border: 1pt none windowtext; padding: 0cm;">,</span><span class="Apple-converted-space"> </span>is proud to convene and organise the 2019 <b>LLHAA conference </b>titled <b><i><span style="border: 1pt none windowtext; padding: 0cm;">JurisApocalypse Now! Law in End Times</span></i></b>, which will be held at Southern Cross University Gold Coast Campus on 2-4 December 2019.</span><o:p></o:p></div>
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<span style="background-color: white; background-position: initial initial; background-repeat: initial initial; font-size: 13.5pt;">The conference will explore the intersection of legality, temporality and eschatology, the normatively uncertain and yet inherently creative space originated by the conflicting encounter between the orderly desire of law and the entropic tendency of apocalyptic narratives, with both forces cast against the backdrop of the ever-deferred notion of time itself.</span><o:p></o:p></div>
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<span style="font-size: 13.5pt;">Furthermore, the conference is organised in conjunction with the 2019<span class="Apple-converted-space"> </span><i>Law and Society Association of Australia and New Zealand (LSAANZ)</i><span class="Apple-converted-space"> </span>conference, titled<span class="Apple-converted-space"> </span><i><span style="border: 1pt none windowtext; padding: 0cm;">Survive, Thrive, Die: Law in End Times</span></i>, which will be held on 5-7 December 2019, still at Southern Cross University Gold Coast Campus. The two conferences, although distinct and separate, are nonetheless connected by a shared overarching theme, and are articulated around a<span class="Apple-converted-space"> </span><b>shared Postgraduate Day</b>, which will be held on the 5<sup>th</sup><span class="Apple-converted-space"> </span>December. Scholars are invited, in a profoundly interdisciplinary manner, to participate in either or both conferences.</span><o:p></o:p></div>
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<span style="background-color: white; background-position: initial initial; background-repeat: initial initial; font-size: 13.5pt;">For further information, or if you have any query about the conferences, please visit </span><a href="https://sljresearch.net.au/lawinendtimes/" target="_blank">https://sljresearch.net.au/lawinendtimes/</a><o:p></o:p></div>
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<b><span style="font-family: Verdana, sans-serif; font-size: 13.5pt;">CALL FOR ABSTRACTS</span></b><o:p></o:p></div>
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<span style="background-color: white; background-position: initial initial; background-repeat: initial initial; font-size: 13.5pt;">Submission deadline:<span class="Apple-converted-space"> </span></span><strong><span style="border: 1pt none windowtext; font-size: 13.5pt; padding: 0cm;">31 July 2019</span></strong><o:p></o:p></div>
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<span style="background-color: white; background-position: initial initial; background-repeat: initial initial; font-size: 13.5pt;">The Organising Committee invites the submission of abstracts of original work. Abstracts can be submitted for consideration for an oral presentation or a hard copy poster.</span><o:p></o:p></div>
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<span style="background-color: white; background-position: initial initial; background-repeat: initial initial; font-size: 13.5pt;">The Organising Committee will endeavour to notify presenters whether their proposed paper has been accepted at the beginning of each month following the abstract’s submission.</span><o:p></o:p></div>
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<span style="font-size: 13.5pt;">Submissions can be made using the following link:</span><o:p></o:p></div>
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<a href="https://sljresearch.net.au/lawinendtimes/call-for-abstracts/llhaa/" style="color: purple;"><span style="font-size: 13.5pt;">https://sljresearch.net.au/lawinendtimes/call-for-abstracts/llhaa/</span></a><o:p></o:p></div>
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<b><span style="background-color: white; background-position: initial initial; background-repeat: initial initial; font-size: 13.5pt;">Organising Committee</span></b><span style="background-color: white; background-position: initial initial; background-repeat: initial initial; font-size: 13.5pt;"> </span><o:p></o:p></div>
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<span style="background-color: white; background-position: initial initial; background-repeat: initial initial; font-size: 13.5pt;">Dr Alessandro Pelizzon (Committee Chair) </span><o:p></o:p></div>
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<span style="background-color: white; background-position: initial initial; background-repeat: initial initial; font-size: 13.5pt;">Prof William MacNeil (Dean and Head of School)</span><o:p></o:p></div>
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<span style="background-color: white; background-position: initial initial; background-repeat: initial initial; font-size: 13.5pt;">Associate Professor John Page (Deputy Head of School, Research) </span><o:p></o:p></div>
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<span style="background-color: white; background-position: initial initial; background-repeat: initial initial; font-size: 13.5pt;">Ms Ellen Kronen (conference logistics)</span><o:p></o:p></div>
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<br /></div>
<div class="MsoNormal" style="font-family: "Times New Roman", serif; font-size: 12pt; margin: 0cm 0cm 0.0001pt; text-align: justify;">
<span style="font-size: 13.5pt;">We look forward to see</span><span style="font-size: 13.5pt;">ing you at the conferences in December!</span></div>
</div>
Cass Sharphttp://www.blogger.com/profile/15210295670379120340noreply@blogger.com0tag:blogger.com,1999:blog-3975145188967570678.post-17705544714135912342019-03-08T17:21:00.001-08:002019-03-08T17:21:43.960-08:00Law Text Culture Vol 24 (2020) CALL FOR PROPOSALS - GUEST EDITOR/S
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwrJyRFk1aRIf8nrB9Izkoq1Occs8uwF4vNYrgrUbOS15mnOvDO-rOZ_JNvvscnxdPEEzAwGOD-FXS81NXDYtDEoVJ3ffxjaeQ2STRNurUXL3UzRBWDdMGKo82pn3AiT7Fxwh5c1CWbwA/s1600/law+text+culture.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="189" data-original-width="900" height="132" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgwrJyRFk1aRIf8nrB9Izkoq1Occs8uwF4vNYrgrUbOS15mnOvDO-rOZ_JNvvscnxdPEEzAwGOD-FXS81NXDYtDEoVJ3ffxjaeQ2STRNurUXL3UzRBWDdMGKo82pn3AiT7Fxwh5c1CWbwA/s640/law+text+culture.jpg" width="640" /></a></div>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 18.0pt; line-height: 115%; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-fareast-language: EN-AU; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">Volume 24
(2020) – CALL FOR PROPOSALS </span></b></h2>
<h2 style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 16.0pt; line-height: 115%; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-fareast-language: EN-AU; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">Due 1 May
2019</span></b></h2>
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 16.0pt; line-height: 115%; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-fareast-language: EN-AU; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;"><br /></span></b></div>
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Culture</i> is seeking proposals for the 2020 edition of the Journal (Volume 24),
due for publication in December 2020.<span style="mso-spacerun: yes;"> </span><o:p></o:p></span></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-size: 14.0pt; line-height: 115%; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-fareast-language: EN-AU; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">Law Text
Culture</span></i><span style="font-size: 14.0pt; line-height: 115%; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-fareast-language: EN-AU; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;"> is a transcontinental, peer-reviewed interdisciplinary journal which
aims to produce fresh insights and knowledges about law and jurisprudence
across three interconnected axes:<o:p></o:p></span></div>
<div align="center" style="text-align: center;">
<em><b><span style="color: maroon; font-family: "Calibri",sans-serif; font-size: 14.0pt; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-hansi-theme-font: minor-latin;">Politics:</span></b></em><em><span style="color: #003366; font-family: "Calibri",sans-serif; font-size: 14.0pt; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-hansi-theme-font: minor-latin;"> </span></em><em><span style="color: windowtext; font-family: "Calibri",sans-serif; font-size: 14.0pt; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-hansi-theme-font: minor-latin;">engaging
the relationship of force and resistance</span></em><span style="color: windowtext; font-family: "Calibri",sans-serif; font-size: 14.0pt; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-hansi-theme-font: minor-latin;"><o:p></o:p></span></div>
<div align="center" style="text-align: center;">
<em><b><span style="color: maroon; font-family: "Calibri",sans-serif; font-size: 14.0pt; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-hansi-theme-font: minor-latin;">Aesthetics:</span></b></em><em><span style="color: #003366; font-family: "Calibri",sans-serif; font-size: 14.0pt; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-hansi-theme-font: minor-latin;"> </span></em><em><span style="color: windowtext; font-family: "Calibri",sans-serif; font-size: 14.0pt; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-hansi-theme-font: minor-latin;">eliciting the relationship of judgment and
expression</span></em><span style="font-family: "Calibri",sans-serif; font-size: 14.0pt; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-hansi-theme-font: minor-latin;"><o:p></o:p></span></div>
<div align="center" style="text-align: center;">
<em><b><span style="color: maroon; font-family: "Calibri",sans-serif; font-size: 14.0pt; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-hansi-theme-font: minor-latin;">Ethics:</span></b></em><em><span style="color: #003366; font-family: "Calibri",sans-serif; font-size: 14.0pt; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-hansi-theme-font: minor-latin;"> </span></em><em><span style="color: windowtext; font-family: "Calibri",sans-serif; font-size: 14.0pt; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-hansi-theme-font: minor-latin;">exploring the relationship of self and
other.</span></em><span style="font-family: "Calibri",sans-serif; font-size: 14.0pt; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-hansi-theme-font: minor-latin;"><o:p></o:p></span></div>
<div align="center" style="text-align: center;">
<em><span style="color: windowtext; font-family: "Calibri",sans-serif; font-size: 14.0pt; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: "Times New Roman"; mso-hansi-theme-font: minor-latin;"><br /></span></em></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;">
<span style="font-size: 14.0pt; line-height: 115%; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-fareast-language: EN-AU; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">The annual thematic special issue, curated by guest editors, is selected
by the editorial board.<span style="mso-spacerun: yes;"> </span>Each issue
explores its theme across a range of genres, with scholarly essays and articles
sitting alongside visual and literary engagements. In this way, <i style="mso-bidi-font-style: normal;">Law Text Culture</i> excites unique
intersectional and interdisciplinary encounters with law in all its forms. <o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-fareast-language: EN-AU; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">Proposals by potential guest editors should include:</span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
</div>
<br />
<ul>
<li><span style="font-size: 14pt; text-indent: -18pt;">a concise description of the proposed theme;</span></li>
</ul>
<ul>
<li><span style="font-size: 14pt; text-indent: -18pt;">a draft call for papers setting out the aims and concepts of the issue;
and how it fits within the remit of the journal;</span></li>
</ul>
<ul>
<li><span style="font-size: 14pt; text-indent: -18pt;">an indication of the intended authors and how they are to be
identified/contacted (eg whether the proposal arises out of a seminar series,
conference or workshop);</span></li>
</ul>
<ul>
<li><span style="font-size: 14pt; text-indent: -18pt;">the range of genres (poetry, scholarly essays, visual arts etc) expected
to be included;</span></li>
</ul>
<ul>
<li><span style="font-size: 14pt; text-indent: -18pt;">an explanation of how the copy-editing will be completed, including
whether the guest editor/s will secure appropriate funding for copy-editing
(usually approx $1000), or undertake the copy-editing themselves; and</span></li>
</ul>
<ul>
<li><span style="font-size: 14pt; text-indent: -18pt;">brief details of the guest editor(s).</span></li>
</ul>
<br />
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;">
<span style="font-size: 14.0pt; line-height: 115%; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">Proposals should
be 1000 words (approx) and should be emailed to the Managing Editor by close of
business 1 May 2019. For further information, including the role of guest
editors, and the journal style guide, please visit: <span class="MsoHyperlink"><span style="font-family: "Calibri",sans-serif; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-hansi-theme-font: minor-latin;"><a href="http://lha.uow.edu.au/law/LIRC/LTC/index.html" target="_blank">LTC at LIRC</a></span></span>.
Details on the editors and themes of previous editions of <i style="mso-bidi-font-style: normal;">Law Text Culture</i> are available at: <a href="http://ro.uow.edu.au/ltc/all_issues.html" target="_blank">UOW Research Online</a>. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8XmPKv5GAQFlVieb-dTfvRiAZEe9XuAQrTc9y4ha_v4MbYFXo_2ExvyGpDgt9ELFHyC55QJ_KNziSTqkw8jcXx-dSf_iwkKTjUXxMzipj1KTpOi9DC35xZ6GqbM1YcGraU8SgeOyXIcU/s1600/LIRC2.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="75" data-original-width="90" height="166" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh8XmPKv5GAQFlVieb-dTfvRiAZEe9XuAQrTc9y4ha_v4MbYFXo_2ExvyGpDgt9ELFHyC55QJ_KNziSTqkw8jcXx-dSf_iwkKTjUXxMzipj1KTpOi9DC35xZ6GqbM1YcGraU8SgeOyXIcU/s200/LIRC2.jpg" width="200" /></a><span style="mso-bookmark: _MailAutoSig;"><span style="font-size: 14.0pt; line-height: 115%; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman"; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin; mso-no-proof: yes;">Associate Professor Cassandra Sharp</span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="mso-bookmark: _MailAutoSig;"><span style="font-size: 14.0pt; line-height: 115%; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman"; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin; mso-no-proof: yes;">Managing Editor <i style="mso-bidi-font-style: normal;">Law
Text Culture<o:p></o:p></i></span></span></div>
<div class="MsoNormal" style="margin-bottom: .0001pt; margin-bottom: 0cm;">
<span style="mso-bookmark: _MailAutoSig;"><span style="font-size: 14.0pt; line-height: 115%; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-bidi-font-weight: bold; mso-fareast-font-family: "Times New Roman"; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin; mso-no-proof: yes;">School of Law, University of Wollongong</span></span><span style="mso-bookmark: _MailAutoSig;"><span style="font-size: 14.0pt; line-height: 115%; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin; mso-no-proof: yes;"> NSW <o:p></o:p></span></span></div>
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<span style="mso-bookmark: _MailAutoSig;"><span style="font-size: 14.0pt; line-height: 115%; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-fareast-font-family: "Times New Roman"; mso-fareast-theme-font: minor-fareast; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin; mso-no-proof: yes;">Email:<span style="mso-tab-count: 1;"> </span></span></span><span style="mso-bookmark: _MailAutoSig;"></span><a href="mailto:csharp@uow.edu.au"><span style="mso-bookmark: _MailAutoSig;"><span style="font-size: 14.0pt; line-height: 115%; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">csharp@uow.edu.au</span></span></a><span style="mso-bookmark: _MailAutoSig;"></span><span style="font-size: 14.0pt; line-height: 115%; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;"><o:p></o:p></span></div>
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</style>Cass Sharphttp://www.blogger.com/profile/15210295670379120340noreply@blogger.com19tag:blogger.com,1999:blog-3975145188967570678.post-88186015933090208272019-02-04T19:10:00.000-08:002019-02-04T19:10:18.835-08:00NEW RELEASE: SPECIAL ISSUE OF MEDIA AND ARTS LAW REVIEW (2018) 22.4
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 34.0pt; line-height: 90%; mso-fareast-language: EN-US;">‘Posting’ the law:</span></b><span style="font-size: 34.0pt; line-height: 90%; mso-fareast-language: EN-US;"> Emerging Narratives of Law and Justice within
Social Media discourses</span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgod8YMut6da_QG7mA9l1T3wDYhFDHfVqoy5Y0lEFJi4bzgOMRrgTFX72RihrIKBluQkcWq0cnoL6tWnwawJsrJ0vRW88vDSsLUO3QDvlO18_muAPzsjXa1T5D-QZBEABb622GP1PZwe_Q/s1600/MALR+22.4+COVER.PNG" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="811" data-original-width="530" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgod8YMut6da_QG7mA9l1T3wDYhFDHfVqoy5Y0lEFJi4bzgOMRrgTFX72RihrIKBluQkcWq0cnoL6tWnwawJsrJ0vRW88vDSsLUO3QDvlO18_muAPzsjXa1T5D-QZBEABb622GP1PZwe_Q/s640/MALR+22.4+COVER.PNG" width="417" /></a></div>
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<span style="font-family: Trebuchet MS, sans-serif;"><span style="font-size: 12pt;">This
special issue of the </span><i style="font-size: 12pt;">Media and Arts Law
Review</i><span style="font-size: 12pt;"> specifically reflects on the performance of social media in its provocative
role of transforming and challenging understandings of law. The issue is
designed to particularly explore the work of narrative and/or discourse in the
interaction of law and social media in contemporary communication. It will
provide a frame within which law and social media scholarship can investigate: the
role of discourse in transforming, mirroring, creating, and sustaining legal
consciousness; the way law is framed (or questioned and critiqued) within
social media narratives; and the extent to which meaning-making about issues of
justice is complicated by social media platforms.</span></span></div>
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<span style="font-family: Trebuchet MS, sans-serif;">The special issue had its origins in a symposium of the same name, hosted by the Legal Intersections Research Centre (LIRC) at UOW in Sep 2017 & organised by the guest editor.* </span></div>
<br />
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<span style="font-family: Trebuchet MS, sans-serif;">The issue includes contributions by the original participants (Sharp, Tranter, Apolo, Tubridy and Todhunter) and an additional contributor (Polak) inspired by the themes of the symposium.</span></div>
<br />
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<span lang="EN-US" style="mso-ansi-language: EN-US;">*The guest editor and the
contributors would like to thank the UOW Legal Intersections Research Centre
(LIRC) and its Director Prof Nan Seuffert, for providing the forum within which
such scholarship can flourish. <o:p></o:p></span></div>
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<w:LsdException Locked="false" Priority="1" SemiHidden="true"
UnhideWhenUsed="true" Name="Default Paragraph Font"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="List Continue 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Message Header"/>
<w:LsdException Locked="false" Priority="11" QFormat="true" Name="Subtitle"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Salutation"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 3"/>
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</style>Cass Sharphttp://www.blogger.com/profile/15210295670379120340noreply@blogger.com6tag:blogger.com,1999:blog-3975145188967570678.post-23649754756796114442018-05-08T19:22:00.002-07:002018-05-08T19:22:41.621-07:00LIRC Visiting HDR Scholars - Call for applications 2018<div class="separator" style="clear: both; text-align: center;">
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<br />Cass Sharphttp://www.blogger.com/profile/15210295670379120340noreply@blogger.com1tag:blogger.com,1999:blog-3975145188967570678.post-29140042428907900102018-03-01T22:04:00.000-08:002018-03-01T22:10:08.554-08:00Interested in proposing a special issue of Law Text Culture?<!--[if !mso]>
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<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Date"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text First Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Note Heading"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Body Text Indent 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Block Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Hyperlink"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="FollowedHyperlink"/>
<w:LsdException Locked="false" Priority="22" QFormat="true" Name="Strong"/>
<w:LsdException Locked="false" Priority="20" QFormat="true" Name="Emphasis"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Document Map"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Plain Text"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="E-mail Signature"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Top of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Bottom of Form"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal (Web)"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Acronym"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Address"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Cite"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Code"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Definition"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Keyboard"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Preformatted"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Sample"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Typewriter"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="HTML Variable"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Normal Table"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="annotation subject"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="No List"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Outline List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Simple 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Classic 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Colorful 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Columns 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Grid 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 4"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 5"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 6"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 7"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table List 8"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table 3D effects 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Contemporary"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Elegant"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Professional"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Subtle 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 1"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 2"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Web 3"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Balloon Text"/>
<w:LsdException Locked="false" Priority="39" Name="Table Grid"/>
<w:LsdException Locked="false" SemiHidden="true" UnhideWhenUsed="true"
Name="Table Theme"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Placeholder Text"/>
<w:LsdException Locked="false" Priority="1" QFormat="true" Name="No Spacing"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading"/>
<w:LsdException Locked="false" Priority="61" Name="Light List"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 1"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 1"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 1"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 1"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 1"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 1"/>
<w:LsdException Locked="false" SemiHidden="true" Name="Revision"/>
<w:LsdException Locked="false" Priority="34" QFormat="true"
Name="List Paragraph"/>
<w:LsdException Locked="false" Priority="29" QFormat="true" Name="Quote"/>
<w:LsdException Locked="false" Priority="30" QFormat="true"
Name="Intense Quote"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 1"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 1"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 1"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 1"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 1"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 1"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 1"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 1"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 2"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 2"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 2"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 2"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 2"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 2"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 2"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 2"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 2"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 2"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 2"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 2"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 2"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 2"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 3"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 3"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 3"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 3"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 3"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 3"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 3"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 3"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 3"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 3"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 3"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 3"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 3"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 3"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 4"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 4"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 4"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 4"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 4"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 4"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 4"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 4"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 4"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 4"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 4"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 4"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 4"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 4"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 5"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 5"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 5"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 5"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 5"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 5"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 5"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 5"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 5"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 5"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 5"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 5"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 5"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 5"/>
<w:LsdException Locked="false" Priority="60" Name="Light Shading Accent 6"/>
<w:LsdException Locked="false" Priority="61" Name="Light List Accent 6"/>
<w:LsdException Locked="false" Priority="62" Name="Light Grid Accent 6"/>
<w:LsdException Locked="false" Priority="63" Name="Medium Shading 1 Accent 6"/>
<w:LsdException Locked="false" Priority="64" Name="Medium Shading 2 Accent 6"/>
<w:LsdException Locked="false" Priority="65" Name="Medium List 1 Accent 6"/>
<w:LsdException Locked="false" Priority="66" Name="Medium List 2 Accent 6"/>
<w:LsdException Locked="false" Priority="67" Name="Medium Grid 1 Accent 6"/>
<w:LsdException Locked="false" Priority="68" Name="Medium Grid 2 Accent 6"/>
<w:LsdException Locked="false" Priority="69" Name="Medium Grid 3 Accent 6"/>
<w:LsdException Locked="false" Priority="70" Name="Dark List Accent 6"/>
<w:LsdException Locked="false" Priority="71" Name="Colorful Shading Accent 6"/>
<w:LsdException Locked="false" Priority="72" Name="Colorful List Accent 6"/>
<w:LsdException Locked="false" Priority="73" Name="Colorful Grid Accent 6"/>
<w:LsdException Locked="false" Priority="19" QFormat="true"
Name="Subtle Emphasis"/>
<w:LsdException Locked="false" Priority="21" QFormat="true"
Name="Intense Emphasis"/>
<w:LsdException Locked="false" Priority="31" QFormat="true"
Name="Subtle Reference"/>
<w:LsdException Locked="false" Priority="32" QFormat="true"
Name="Intense Reference"/>
<w:LsdException Locked="false" Priority="33" QFormat="true" Name="Book Title"/>
<w:LsdException Locked="false" Priority="37" SemiHidden="true"
UnhideWhenUsed="true" Name="Bibliography"/>
<w:LsdException Locked="false" Priority="39" SemiHidden="true"
UnhideWhenUsed="true" QFormat="true" Name="TOC Heading"/>
<w:LsdException Locked="false" Priority="41" Name="Plain Table 1"/>
<w:LsdException Locked="false" Priority="42" Name="Plain Table 2"/>
<w:LsdException Locked="false" Priority="43" Name="Plain Table 3"/>
<w:LsdException Locked="false" Priority="44" Name="Plain Table 4"/>
<w:LsdException Locked="false" Priority="45" Name="Plain Table 5"/>
<w:LsdException Locked="false" Priority="40" Name="Grid Table Light"/>
<w:LsdException Locked="false" Priority="46" Name="Grid Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="Grid Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="Grid Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="46"
Name="Grid Table 1 Light Accent 6"/>
<w:LsdException Locked="false" Priority="47" Name="Grid Table 2 Accent 6"/>
<w:LsdException Locked="false" Priority="48" Name="Grid Table 3 Accent 6"/>
<w:LsdException Locked="false" Priority="49" Name="Grid Table 4 Accent 6"/>
<w:LsdException Locked="false" Priority="50" Name="Grid Table 5 Dark Accent 6"/>
<w:LsdException Locked="false" Priority="51"
Name="Grid Table 6 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="52"
Name="Grid Table 7 Colorful Accent 6"/>
<w:LsdException Locked="false" Priority="46" Name="List Table 1 Light"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark"/>
<w:LsdException Locked="false" Priority="51" Name="List Table 6 Colorful"/>
<w:LsdException Locked="false" Priority="52" Name="List Table 7 Colorful"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 1"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 1"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 1"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 1"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 1"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 1"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 2"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 2"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 2"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 2"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 2"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 2"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 3"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 3"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 3"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 3"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 3"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 3"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 4"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 4"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 4"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 4"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 4"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="52"
Name="List Table 7 Colorful Accent 4"/>
<w:LsdException Locked="false" Priority="46"
Name="List Table 1 Light Accent 5"/>
<w:LsdException Locked="false" Priority="47" Name="List Table 2 Accent 5"/>
<w:LsdException Locked="false" Priority="48" Name="List Table 3 Accent 5"/>
<w:LsdException Locked="false" Priority="49" Name="List Table 4 Accent 5"/>
<w:LsdException Locked="false" Priority="50" Name="List Table 5 Dark Accent 5"/>
<w:LsdException Locked="false" Priority="51"
Name="List Table 6 Colorful Accent 5"/>
<w:LsdException Locked="false" Priority="52"
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<br />
<h2 style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSxKdsnBJ5d_368IM5W-d-SJoeOM-TcG4OP9pTUF0YF_0baC6c8n5yKSdYkiqOxS_8WL7VxEh4vIK6t1WHj9Fh2J5ACMSsdTjXPO6Sk4QdOxjv96e2fx2_W9ZRtDzgDNMD81YI3C5dlic/s1600/law+text+culture.jpg" imageanchor="1" style="font-size: 12pt; margin-left: 1em; margin-right: 1em;"><img border="0" data-original-height="189" data-original-width="900" height="132" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiSxKdsnBJ5d_368IM5W-d-SJoeOM-TcG4OP9pTUF0YF_0baC6c8n5yKSdYkiqOxS_8WL7VxEh4vIK6t1WHj9Fh2J5ACMSsdTjXPO6Sk4QdOxjv96e2fx2_W9ZRtDzgDNMD81YI3C5dlic/s640/law+text+culture.jpg" width="640" /></a></h2>
<br />
<br />
<h4 style="margin-bottom: 0.0001pt; margin-bottom: 0cm; text-align: center;">
<b><span style="font-size: 18pt; line-height: 27.6px;">CALL FOR PROPOSALS</span></b></h4>
<h2 style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
<b style="mso-bidi-font-weight: normal;"><span style="mso-bidi-font-style: normal;"><span style="color: black; font-size: 18pt; line-height: 115%;">LA</span></span></b><b style="mso-bidi-font-weight: normal;"><span style="mso-bidi-font-style: normal;"><span style="font-size: 18pt; line-height: 115%;">W TEXT CULTURE </span></span></b></h2>
<h2 style="margin-bottom: .0001pt; margin-bottom: 0cm; text-align: center;">
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 18.0pt; line-height: 115%; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-fareast-language: EN-AU; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;"><o:p></o:p></span></b><b style="font-size: 14.6667px;"><span style="font-size: 18pt; line-height: 27.6px;">Vol 23 (2019)</span></b><br /><b style="mso-bidi-font-weight: normal;"><span style="font-size: 18.0pt; line-height: 115%; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-fareast-language: EN-AU; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;"><br /></span></b><b style="mso-bidi-font-weight: normal;"><span style="font-size: 16.0pt; line-height: 115%; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-fareast-language: EN-AU; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">Due 30 May
2018</span></b></h2>
<div>
<b style="mso-bidi-font-weight: normal;"><span style="font-size: 16.0pt; line-height: 115%; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-fareast-language: EN-AU; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;"><br /></span></b></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;">
<span style="font-size: 14.0pt; line-height: 115%; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-fareast-language: EN-AU; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">The Editorial Board of <i style="mso-bidi-font-style: normal;">Law Text
Culture</i> is seeking proposals for the 2019 special edition of the Journal
(Volume 23), due for publication in December 2019.<span style="mso-spacerun: yes;"> </span><o:p></o:p></span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;">
<i style="mso-bidi-font-style: normal;"><span style="font-size: 14.0pt; line-height: 115%; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-fareast-language: EN-AU; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">Law Text
Culture</span></i><span style="font-size: 14.0pt; line-height: 115%; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-fareast-language: EN-AU; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;"> is a transcontinental, peer-reviewed interdisciplinary journal which
aims to produce fresh insights and knowledges about law and jurisprudence
across three interconnected axes:</span></div>
<div align="center" style="text-align: center;">
<em><b><span style="color: maroon; font-family: "calibri" , sans-serif; font-size: 14.0pt;">Politics:</span></b></em><em><span style="color: #003366; font-family: "calibri" , sans-serif; font-size: 14.0pt;"> </span></em><em><span style="font-family: "calibri" , sans-serif; font-size: 14.0pt;">engaging the
relationship of force and resistance</span></em><span style="font-family: "calibri" , sans-serif; font-size: 14.0pt;"><o:p></o:p></span></div>
<div align="center" style="text-align: center;">
<em><b><span style="color: maroon; font-family: "calibri" , sans-serif; font-size: 14.0pt;">Aesthetics:</span></b></em><em><span style="color: #003366; font-family: "calibri" , sans-serif; font-size: 14.0pt;"> </span></em><em><span style="font-family: "calibri" , sans-serif; font-size: 14.0pt;">eliciting the
relationship of judgment and expression</span></em><span style="font-family: "calibri" , sans-serif; font-size: 14.0pt;"><o:p></o:p></span></div>
<div align="center" style="text-align: center;">
<em><b><span style="color: maroon; font-family: "calibri" , sans-serif; font-size: 14.0pt;">Ethics:</span></b></em><em><span style="color: #003366; font-family: "calibri" , sans-serif; font-size: 14.0pt;"> </span></em><em><span style="font-family: "calibri" , sans-serif; font-size: 14.0pt;">exploring the
relationship of self and other.</span></em><span style="font-family: "calibri" , sans-serif; font-size: 14.0pt;"><o:p></o:p></span></div>
<div align="center" style="text-align: center;">
<em><span style="font-family: "calibri" , sans-serif; font-size: 14.0pt;"><br /></span></em></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;">
<span style="font-size: 14.0pt; line-height: 115%; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-fareast-language: EN-AU; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">The annual thematic special
issue, curated by guest editors, is selected by the editorial board.<span style="mso-spacerun: yes;"> </span>Each issue explores its theme across a range
of genres, with scholarly essays and articles sitting alongside visual and
literary engagements. In this way, <i style="mso-bidi-font-style: normal;">Law
Text Culture</i> excites unique intersectional and interdisciplinary encounters
with law in all its forms. <o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; text-align: justify;">
<span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-fareast-language: EN-AU; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">Proposals by potential guest editors should include:<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; margin-left: 38.25pt; margin-right: 0cm; margin-top: 0cm; mso-list: l0 level1 lfo1; text-indent: -18.0pt;">
<!--[if !supportLists]--><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><span style="mso-list: Ignore;">•<span style="font: 7.0pt "Times New Roman";">
</span></span></span><!--[endif]--><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">a concise description of the proposed theme;<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; margin-left: 38.25pt; margin-right: 0cm; margin-top: 0cm; mso-list: l0 level1 lfo1; text-indent: -18.0pt;">
<!--[if !supportLists]--><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><span style="mso-list: Ignore;">•<span style="font: 7.0pt "Times New Roman";">
</span></span></span><!--[endif]--><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">a draft call for papers setting out the aims
and concepts of the issue;<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; margin-left: 38.25pt; margin-right: 0cm; margin-top: 0cm; mso-list: l0 level1 lfo1; text-indent: -18.0pt;">
<!--[if !supportLists]--><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><span style="mso-list: Ignore;">•<span style="font: 7.0pt "Times New Roman";">
</span></span></span><!--[endif]--><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">an indication of the intended authors and how
they are to be identified/contacted (eg whether the proposal arises out of a
seminar series, conference or workshop);<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; margin-left: 38.25pt; margin-right: 0cm; margin-top: 0cm; mso-list: l0 level1 lfo1; text-indent: -18.0pt;">
<!--[if !supportLists]--><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><span style="mso-list: Ignore;">•<span style="font: 7.0pt "Times New Roman";">
</span></span></span><!--[endif]--><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">the range of genres (eg poetry, scholarly
essays, visual arts etc) expected to be included in the edition; and<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; margin-left: 38.25pt; margin-right: 0cm; margin-top: 0cm; mso-list: l0 level1 lfo1; text-indent: -18.0pt;">
<!--[if !supportLists]--><span style="font-family: "arial" , sans-serif; font-size: 14.0pt;"><span style="mso-list: Ignore;">•<span style="font: 7.0pt "Times New Roman";">
</span></span></span><!--[endif]--><span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">brief details of the guest editor(s).<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: normal; margin-bottom: .0001pt; margin-bottom: 0cm; margin-left: 38.25pt; margin-right: 0cm; margin-top: 0cm; mso-list: l0 level1 lfo1; text-indent: -18.0pt;">
<span style="font-size: 14.0pt; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;"><br /></span></div>
<div class="MsoNormal" style="mso-margin-bottom-alt: auto; mso-margin-top-alt: auto; text-align: justify;">
<span style="font-size: 14.0pt; line-height: 115%; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">Proposals should
be no more than 1000 words and should be emailed to the Managing Editor by
close of business 30 May 2018. For further information, including the role of
guest editors, and the journal style guide, please visit </span><span style="font-size: 14.0pt; line-height: 115%; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;"><a href="http://lha.uow.edu.au/law/LIRC/LTC/index.html"><span style="mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">http://lha.uow.edu.au/law/LIRC/LTC/index.html</span></a></span><span style="font-size: 14.0pt; line-height: 115%; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">. Details on the editors and themes of
previous editions of <i style="mso-bidi-font-style: normal;">Law Text Culture</i>
are available at: </span><span style="font-size: 14.0pt; line-height: 115%; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;"><a href="http://ro.uow.edu.au/ltc/all_issues.html"><span style="color: windowtext; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;">http://ro.uow.edu.au/ltc/all_issues.html</span></a></span><a href="https://www.blogger.com/null" name="_MailAutoSig"><span style="font-size: 14.0pt; line-height: 115%; mso-ascii-font-family: Calibri; mso-ascii-theme-font: minor-latin; mso-bidi-font-family: Arial; mso-hansi-font-family: Calibri; mso-hansi-theme-font: minor-latin;"><o:p></o:p></span></a></div>
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<!--EndFragment--><br />Cass Sharphttp://www.blogger.com/profile/15210295670379120340noreply@blogger.com2tag:blogger.com,1999:blog-3975145188967570678.post-41741448307281914352017-08-24T22:00:00.000-07:002017-08-24T22:00:00.431-07:00Exciting Symposium coming up...<div class="p1">
<span class="s1"><b><br /></b></span></div>
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<b>The Legal Intersections Research Centre (LIRC) warmly invites you to:</b></div>
<h2>
<span class="s1"><b><div style="text-align: center;">
<b>‘Posting’ the law:</b> Emerging Narratives of Law and Justice within Social Media discourses</div>
</b></span></h2>
<h4 style="text-align: center;">
</h4>
<h3>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtLvx0fvaL19AA1ZSfEx0mnPeiW3IFXYd3C5nCDoqgPhwRXHZ07NSq1eDVg-3JxdE2pgZViZkcOHMpkjDrXXi5Mup_SINhlds1hcX8JV6KEwrGJ1mz3vTp7zDdSchRaV-FQK8-YCem7SI/s1600/connect.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" data-original-height="176" data-original-width="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtLvx0fvaL19AA1ZSfEx0mnPeiW3IFXYd3C5nCDoqgPhwRXHZ07NSq1eDVg-3JxdE2pgZViZkcOHMpkjDrXXi5Mup_SINhlds1hcX8JV6KEwrGJ1mz3vTp7zDdSchRaV-FQK8-YCem7SI/s1600/connect.jpg" /></a><span style="color: red;"><span class="s1"><b><h3>
<span style="color: red;"><span class="s1"><b><br /></b></span></span></h3>
Presented by:</b></span><span class="s1"> </span></span></h3>
<h3>
<span style="color: red;"><span class="s1"><br /></span><span class="s1"><b>Cassandra Sharp, Jason Bainbridge, </b></span></span><span style="color: red;"><span class="s1"><b>Kieran Tranter, Kate Tubridy, Yvonne Apolo, Olivia Todhunter</b></span></span> </h3>
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<span class="s1"><b><br /></b></span></div>
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<span class="s1"><b><br /></b></span></div>
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<span class="s1"><b>Date:</b> 15 September 2017<br />
<b>Time:</b> 12.30 to 5.00pm<br />
<b>Location:</b> </span><span class="s1">Building 67, Room 202 (Moot Court)</span></div>
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<br /></div>
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<span class="s1"><span style="font-size: small;">There is little doubt that new digital technologies have performed a dynamic function in metamorphosing culture, both positively and negatively. Public engagement within social media regarding issues of legality, political discourse, and identity serves to shape, (re)interpret and transform cultural expectations of law. This symposium seeks to invite specific reflection on the performance of social media in its role of transmuting or challenging understandings of law. The symposium is designed to particularly explore the work of narrative and/or discourse in the interaction of law and social media in contemporary communication. It will provide a frame within which law and social media scholarship can investigate themes such as: the role of discourse in transforming, mirroring, creating, and sustaining legal consciousness; the way law is framed (or questioned and critiqued) within social media narratives; and the extent to which meaning-making about issues of justice is complicated by social media platforms.</span></span></div>
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<br /></div>
<div class="p3" style="-webkit-text-stroke-width: 0px;">
<span class="s1"><span style="font-size: small;">We warmly invite you to attend this event and to participate in discussions arising out the presentations.</span></span></div>
<br />
<div class="p4">
<span class="s1"></span></div>
<div class="p3" style="-webkit-text-stroke-width: 0px; font-size: medium;">
<span class="s1"><b>Registration is free but places are limited</b>. <b>Please</b><a href="https://docs.google.com/forms/d/1k_RU58e5ElG9vuW_VWSkQzBl9Ry0KWZsbPMrRKELFkg/edit"><span class="s3"><b> register your intention to attend</b></span></a>.</span></div>
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<span class="s1"><br /></span></div>
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</style>Cass Sharphttp://www.blogger.com/profile/15210295670379120340noreply@blogger.com0tag:blogger.com,1999:blog-3975145188967570678.post-28680302758218428912016-07-05T20:51:00.000-07:002016-07-05T20:51:07.945-07:00What can video games tell us about the law? <h2 style="line-height: 115%; text-align: center;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: Times;">The Moral
Choice of <i style="mso-bidi-font-style: normal;">inFAMOUS</i>: Law and morality
in video games</span></b><b style="mso-bidi-font-weight: normal;"><span style="font-family: Times;"><o:p> </o:p></span></b></h2>
<h2 style="line-height: 115%; text-align: center;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: Times;">Michael
Barnett and Cassandra Sharp </span></b></h2>
<h2 style="line-height: 115%; text-align: center;">
<b style="mso-bidi-font-weight: normal;"><span style="font-family: Times;">24(3) <i>GLR </i>482</span></b></h2>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPgraWXdoy9L1Ha6nGbzYrjB14EMmaQ1oq62ICr7Njk-saEWwVHpPavr-5dBxdMjjWdHfkCfWnGH8HUucUUjENsuyaW5fHF3vZpzv1gchYmbPFyfQWug_Tx4KTBcA0gXxesX3-xzWrV8E/s1600/2435098-infamous4.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><img border="0" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgPgraWXdoy9L1Ha6nGbzYrjB14EMmaQ1oq62ICr7Njk-saEWwVHpPavr-5dBxdMjjWdHfkCfWnGH8HUucUUjENsuyaW5fHF3vZpzv1gchYmbPFyfQWug_Tx4KTBcA0gXxesX3-xzWrV8E/s400/2435098-infamous4.jpg" width="400" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Photo taken from <a href="https://www.google.com.au/url?sa=i&rct=j&q=&esrc=s&source=images&cd=&cad=rja&uact=8&ved=0ahUKEwiz657Q9t3NAhWSNpQKHacHBh4QjB0IBg&url=http%3A%2F%2Fwww.giantbomb.com%2Finfamous%2F3030-20599%2Fsimilar-games%2F&psig=AFQjCNHUr0rNWqh8uBsvlGG73cr5U7ZQXg&ust=1467863074872134" target="_blank">Giantbomb.com</a></td></tr>
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<span style="font-family: Calibri; font-size: 14.0pt; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">In this article, which is part of the Special
Issue of the <i>Griffith Law Review</i> I mentioned in my last post,
Michael Barnett and I explore the unique popular medium of video games -
and we use<span class="apple-converted-space"> </span><i>inFamous</i><span class="apple-converted-space"> </span>as a case study. This article
had its genesis in a final research project that Michael produced for my<span class="apple-converted-space"> </span><i>Law and Popular Culture<span class="apple-converted-space"> </span></i>elective in 2014 (which he then
presented at the <i>Through the Looking Glass<span class="apple-converted-space"> </span></i>symposium that same year).
Following the symposium, we together crafted his idea into a greater analysis
of </span><span style="background: white; color: #333333; font-family: Calibri; font-size: 14.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Arial; mso-hansi-theme-font: major-latin;">the <i>Infamous</i> series, which
positions Cole McGrath as the superpowered protagonist in a self-contained
post-apocalyptic world that is chaotic, broken and absent of legal sanction and
protection. Reading both the bifurcated narrative, and ‘moral mechanic’ jurisprudentially, in
this article, we demonstrate that the game (through both mechanic and
narrative) reinforces a legal consciousness that requires morality to be
fulfilled in the law, and we argue that <i>Infamous</i> reflects a
normative privileging of natural law that reinforces understandings of the
relationship between power, law and morality. </span><span style="font-family: Calibri; font-size: 14.0pt; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;"><o:p></o:p></span><br />
<br />
<span style="background: white; color: #333333; font-family: Calibri; font-size: 14.0pt; mso-ascii-theme-font: major-latin; mso-bidi-font-family: Arial; mso-hansi-theme-font: major-latin;">Here is an extract of the introduction (footnotes removed) -
but you can access the full version </span><span style="font-family: Calibri; font-size: 14.0pt; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;"><a href="http://www.tandfonline.com/eprint/Bf4vrZ4fuvgzfJSupeR6/full#.Vw3iB5P5iRs"><span style="background: white; color: #015782; mso-bidi-font-family: Arial;">here</span></a>.</span><br />
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<blockquote class="tr_bq">
<span style="font-family: Calibri; font-size: 14.0pt; mso-ascii-theme-font: major-latin; mso-hansi-theme-font: major-latin;">'In a world where technology is exponentially
advancing, video games are certainly keeping apace. With increasing capacity
for real-life simulation, high definition graphics, and complex interactive
narrativity, video games now offer a high level of sophisticated engagement for
players, which contribute significantly to their widespread popular support.
Contemporary video games are no longer controlled by ‘mindlessly’ pushing
buttons, but are instead navigated by complex problem solving and strategic
decision-making within the bounds set by the mechanics of the game. Choices by
players are a pivotal element of gameplay, and so while ‘players engage rich
narrative storylines and employ complex discursive practices and problem
solving strategies in order to understand and master underlying game
mechanics’, they do so within a simulated environment that has its own rules,
narratives, and ethics constituted within the game’s ideological
framework. As an extremely prevalent sub-culture of new media, video games
can perform an interesting function of provoking thought on issues of law,
justice and crime. Exploring video games then, from within a cultural
legal studies framework, acknowledges not only the culturally constructed
nature of ‘playing’ video games, but also the normative expectations of law
that are facilitated by the narrative structures inherent within the game
itself. This article looks at one game series within this framework (<i>Infamous</i>),
and asks what meaning can be transformed about issues of law, morality and
power from playing these games. Specifically, the article seeks to analyse
and critique the combined effect of the narrative and ‘moral mechanic’ of the
game to explore connections between law and morality from a jurisprudential
point of view. Our argument is that this connected narrative and moral mechanic
of the<span class="apple-converted-space"> </span><i>Infamous<span class="apple-converted-space"> </span></i>video game series, provokes an
application of normative value to the ethical choices a player might make that
are inevitably underscored by natural law theory.'</span></blockquote>
Cass Sharphttp://www.blogger.com/profile/15210295670379120340noreply@blogger.com1tag:blogger.com,1999:blog-3975145188967570678.post-12763801972712834422016-04-12T23:15:00.000-07:002016-04-12T23:15:48.287-07:00<h2 style="text-align: center;">
<b><i><span lang="EN-US"><span style="font-size: x-large;">Introducing:</span></span></i></b></h2>
<h2 style="text-align: center;">
<div style="text-align: center;">
<b style="font-size: xx-large;"><i><span lang="EN-US">Through the Looking
Glass - the Framing of Law through Popular Imagination</span></i></b></div>
<span style="font-size: x-large;"><div style="text-align: center;">
<b>Special Issue – GLR 24(3)</b></div>
</span></h2>
<div class="MsoNormal" style="text-align: center;">
[This is an extract from my Introduction to this special issue of the <i>Griffith Law Review </i>2015]</div>
<div class="MsoNormal" style="text-align: center;">
<i><span style="color: #741b47;"><br /></span></i></div>
<div class="MsoNormal" style="text-align: center;">
<i><span style="color: #741b47;"><br /></span></i></div>
<div class="MsoNormal" style="text-align: center;">
<i><span style="color: #741b47;">It’s no use going back to yesterday, because I was a different person then.<o:p></o:p></span></i></div>
<div class="MsoListParagraph" style="margin-left: 342pt; text-align: justify;">
<span lang="EN-US">- Alice [1]</span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="Body" style="text-align: justify;">
<span lang="EN-US">It has been 150 years
since the first publication of Lewis Carroll’s acclaimed children’s fiction <i>Alice’s
Adventures in Wonderland</i>, and it remains a book that is appreciated widely
across culture for its unique representation of the world. Indeed, the enduring
quality of both <i>Alice’s Adventures in
Wonderland</i> and <i>Through the Looking
Glass</i>,<i> </i>is evident in the way they
have inspired </span>creations
of art, theatrical performances, judicial decision-making, cinematic
portrayals, videogame plot development, and of course, the desire for
adventure.<span lang="EN-US"> The 150<sup>th</sup>
anniversary reminds us of, not only the mesmeric impact of reading Alice’s
adventures, but also the cultural ubiquity of ‘wonderland’ within the public
imaginary. <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="Body" style="text-align: center;">
<i><span style="color: #741b47;">Now, here, you see, it
takes all the running you can do, to keep in the same place. If you want to get
somewhere else, you must run at least twice as fast as that.<o:p></o:p></span></i></div>
<div class="Body" style="text-align: right;">
- Red Queen<b style="font-style: italic;"> </b>[2]<o:p></o:p></div>
<div class="Body" style="text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="Body">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNBUAnZihYtHDu16d13WSzKKRyWJsr1lmEeukD8b7ICBBHcT27J5mIuBTl44CyH2CkWt8hmPxB_CIglLAoOOwk8hG9pBweZaBkG3Ys_oNzkx8BprW8l_FykVxNq4vq8Rd9FHlue2Ebcs8/s1600/pitr_alice_in_wonderland_cards_flying_clip_art_24856.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em; text-align: justify;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNBUAnZihYtHDu16d13WSzKKRyWJsr1lmEeukD8b7ICBBHcT27J5mIuBTl44CyH2CkWt8hmPxB_CIglLAoOOwk8hG9pBweZaBkG3Ys_oNzkx8BprW8l_FykVxNq4vq8Rd9FHlue2Ebcs8/s200/pitr_alice_in_wonderland_cards_flying_clip_art_24856.jpg" width="145" /></a><span lang="EN-US"></span></div>
<div style="text-align: justify;">
<span lang="EN-US">When Alice falls
through the rabbit hole or steps through the looking glass, she becomes lost in
worlds that provoke mystification and the abandonment of common sense. It is a
moment of transition, a movement between that which is ‘real’, knowable and
explicable, and that which is nonsensical, chaotic and potentially
incomprehensible. It is a moment of <i>encounter</i>
that requires Alice to abandon traditional assumptions and logic if she is to
begin to comprehend the adventure that awaits. The reward for this abandonment
is entrance to these bizarre and fascinating worlds, where </span><span lang="EN-US">everything seems to be inverted or refracted from what she once knew –
time is personified and made unreliable, decisions precede events, and
punishments are served before crimes are committed. </span><span lang="EN-US">As Alice struggles to understand these new
constructed existences and orient herself in connection with the constructs of
time, space and memory, she discovers that the familiar concepts of logic,
predictability, and rationality can be so easily taken for granted.</span></div>
<br />
<div class="Body" style="text-align: justify;">
<br /></div>
<div class="Body" style="text-align: justify;">
<span lang="EN-US">In her search for
meaning, order and reason, it would seem that in both worlds she encounters,
law is prima facie absent. However, it is curious to recognize the familiar
threads of law, weaved throughout Alice’s </span><span lang="EN-US">encounters within these beautifully chaotic worlds. In the worlds of
Wonderland and the Looking Glass, there is an ever present concern about law, represented
in the conflict between order and disorder, chaos and predictability, authority
and arbitrariness. This concern stems from a fear that law might at times (or
even frequently) be arbitrarily administered, or that justice might indeed be
illogical, disjointed, or counterintuitive. Lewis Carroll works this anxiety to
perfection in Alice’s juxtaposition between reality and the imaginary, and
still 150 years later, his work continues to demonstrate the mutually
constitutive relationship between law and popular culture. <o:p></o:p></span></div>
<div class="Body" style="text-align: justify;">
<br /></div>
<div class="Body" style="text-align: center;">
<i><span style="color: #741b47;">Give your evidence,’ said
the King; `and don’t be nervous, or I’ll have you executed on the spot.’<o:p></o:p></span></i></div>
<div class="Body" style="text-align: center;">
<i><span style="color: #741b47;">This did not seem to
encourage the witness at all: he kept shifting from one foot to the other,
looking uneasily at the Queen, and in his confusion he bit a large piece out of
his teacup instead of the bread-and-butter</span>.</i><b style="font-style: italic;"> </b>[3]<o:p></o:p></div>
<div class="Body" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify; text-justify: inter-ideograph;">
<br /></div>
<div class="MsoNormal">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzA17ULlk2fKoPGL8VKSLD_x3XdPRtltHjNrvf8xAFg7dV3AtqdC9oenqzNPXMmfYnixwc8EfhtTG1f0SD3wwPs5I6qAznnt1YQRmHRBAsMo62IADSBnnmpNu9F68YW_BUqsz3iRHTizg/s1600/alice_in_wonderland_clip_art_24772.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em; text-align: justify;"><img border="0" height="191" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhzA17ULlk2fKoPGL8VKSLD_x3XdPRtltHjNrvf8xAFg7dV3AtqdC9oenqzNPXMmfYnixwc8EfhtTG1f0SD3wwPs5I6qAznnt1YQRmHRBAsMo62IADSBnnmpNu9F68YW_BUqsz3iRHTizg/s200/alice_in_wonderland_clip_art_24772.jpg" width="200" /></a><span lang="EN-US"></span></div>
<div style="text-align: justify;">
Just as Alice
contemplated, and then explored, the worlds down the rabbit hole, and on the
other side of the looking glass, this Special Issue of the <i>Griffith Law Review</i> (GLR) calls upon us to reflect on and encounter
the concepts of law and justice as broadly framed within popular imagination,
and to expose the inversions, mirrorings and refractions of law across which we
stumble. In seeking to engage critically with contemporary cultural legal
studies scholarship, this special issue showcases innovative methodologies and
practices that contextualize the role of legal storytelling in the popular
imagination. The articles are inter-disciplinary and methodologically diverse –
yet each contribute to the greater discussion surrounding the transformation of
legal meaning that resonates within the popular imaginary, and in combination,
this special issue exhibits an incredibly diverse and rich interaction with law
and humanities scholarship.</div>
<o:p></o:p><br />
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-US">To read more from
my <b>Introduction</b> to the Special Issue click <a href="http://www.tandfonline.com/eprint/ME4XbEEhIaHJnMWTNpuz/full#.Vw3hrZP5iRs" target="_blank">here</a>:<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-US">The wonderful contributions
to the Special Issue are as follows: <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<b><span lang="EN-US">Penny Crofts</span></b><span lang="EN-US"> demonstrates how horror films can function as the
cultural window through which to investigate criminal law’s transgressive
concept of voluntariness. In a reading of the influential 1970s film <i>The Exorcist</i>, Crofts uses Regan’s transformation
through possession as a mechanism by which to interrogate law’s expression and
transgression of order. <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<b><span lang="EN-US">Thomas Giddens</span></b><span lang="EN-US"> provides a jurisprudential reading of </span>Morrison and McKean's graphic
novel <i><span lang="EN-US">Arkham Asylum</span></i><span lang="EN-US">. In his
contribution, Giddens critically analyses the juxtaposition of law’s reason
with the ‘madness’ of Arkham, and describes a paradoxical encounter of ‘the
meeting of reason and unreason in the context of justice’.<o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<b>Timothy Peters </b><span lang="EN-US">convinces us to appreciate the
complexities of popular cultural narratives</span> that demand a <span lang="EN-US">re-reading</span> and re-encountering <span lang="EN-US">of legality. In exploring Christopher Nolan's <i>The Dark</i></span><i><span lang="EN-US"> </span></i><i><span lang="EN-US">Knight</span></i><span lang="EN-US"> trilogy as a narrative that opens the
possibility for a different grounding of trust, law, and justice, Peters reads
Batman as a Christological figure that ‘makes strange’ the traditional
superhero mythos as well as the narratives they tell of justice, law and
legality. <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<b><span lang="EN-US">Dale Mitchell</span></b><span lang="EN-US"> provides a thorough and detailed critical
examination of the legal and feminist dimensions of She-Hulk. Mitchell argues
that, defined by binaries and constructed through real world and imagined
patriarchal forces, She-Hulk (as lawyer and ‘hulking green enforcer’) by
necessity splinters the law to protect her client's interests, thereby
demonstrating her resistance to law’s patriarchal order. Mitchell argues that
by embodying the monstrous feminine, Jen represents the promise of a different
encounter with law – one that turns rejection by the law into something that
challenges it. <o:p></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<b><span lang="EN-US">Michael Barnett and Cassandra Sharp</span></b><span lang="EN-US"> take their moment of encounter to the
world of video games. In analysing the <i>Infamous</i>
series, which positions Cole McGrath as the superpowered protagonist in a
self-contained post-apocalyptic world that is chaotic, broken and absent of legal
sanction and protection, Barnett and Sharp demonstrate that the game (through
both mechanic and narrative) reinforces a legal consciousness that requires
morality to be fulfilled in the law. Reading both the bifurcated narrative, and
‘moral mechanic’ jurisprudentially, they argue that <i>Infamous</i> reflects a normative privileging of natural law, and that
this reinforces understandings of the relationship between power, law and
morality. Click <a href="http://www.tandfonline.com/eprint/Bf4vrZ4fuvgzfJSupeR6/full#.Vw3iB5P5iRs" target="_blank">here </a>to access this article.</span></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="Body" style="text-align: justify;">
<b><span lang="EN-US">Cassandra Sharp</span></b><span lang="EN-US"> interrogates the way 'revenge' and 'justice' are
entwined in the television series <i>Revenge</i>.
</span>Just as Alice
quickly realises that in a world without meaning, the search for truth and
order is misguided and futile, the character of Emily Thorne progressively
demonstrates that in a world that values retribution, the search for justice is
often atavistic yet pathologised<span lang="EN-US">.</span> Using <i>Revenge </i>as case study, Sharp contends
that i<span lang="EN-US">t is the consistent
Hollywood apposition of retribution and revenge as divergent forms of ‘justice’
that belies a conspiracy with law to pathologise the human desire for payback. Click <a href="http://www.tandfonline.com/eprint/74ifvNHsDqR8nQ5sf8Jf/full" target="_blank">here </a>to access this article. <o:p></o:p></span></div>
<div class="Body" style="text-align: justify;">
<br /></div>
<div class="Body" style="text-align: justify;">
<span lang="EN-US">To check out the full Special Issue click <a href="http://www.tandfonline.com/toc/rlaw20/24/3" target="_blank">here</a>.<o:p></o:p></span></div>
<div class="Body" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div>
<div style="text-align: justify;">
<br /></div>
<!--[if !supportFootnotes]-->
<hr size="1" style="text-align: left;" width="33%" />
<!--[endif]-->
<div id="ftn1">
<div class="MsoFootnoteText" style="text-align: justify; text-justify: inter-ideograph;">
<a href="https://www.blogger.com/blogger.g?blogID=3975145188967570678#_ftnref1" name="_ftn1" title=""><span class="MsoFootnoteReference"><span lang="EN-US" style="font-size: 10pt;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-size: 10pt;">[1]</span></span><!--[endif]--></span></span></a><span lang="EN-US" style="font-size: 10pt;"> Carroll </span><span style="font-size: 10pt;">(1865), </span><span lang="EN-US" style="font-size: 10pt;">Chapter 10: ‘The Lobster
Quadrille’. <o:p></o:p></span></div>
</div>
<div id="ftn2">
<div class="MsoFootnoteText" style="text-align: justify; text-justify: inter-ideograph;">
<a href="https://www.blogger.com/blogger.g?blogID=3975145188967570678#_ftnref2" name="_ftn2" title=""><span class="MsoFootnoteReference"><span lang="EN-US" style="font-size: 10pt;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-size: 10pt;">[2]</span></span><!--[endif]--></span></span></a><span lang="EN-US" style="font-size: 10pt;"> </span><span style="font-size: 10pt;">Carroll (</span><span style="font-size: 10pt;">1871), Chapter 2: ‘The Garden of
Live Flowers’.<o:p></o:p></span></div>
</div>
<div id="ftn3">
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<a href="https://www.blogger.com/blogger.g?blogID=3975145188967570678#_ftnref3" name="_ftn3" title=""><span class="MsoFootnoteReference"><span lang="EN-US" style="font-size: 10pt;"><!--[if !supportFootnotes]--><span class="MsoFootnoteReference"><span lang="EN-US" style="font-size: 10pt;">[3]</span></span><!--[endif]--></span></span></a><span lang="EN-US" style="font-size: 10pt;"> Carroll (</span><span style="font-size: 10pt;">1865), </span><span lang="EN-US" style="font-size: 10pt;">Chapter 10: ‘Who Stole
the Tarts’.<o:p></o:p></span></div>
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<!--EndFragment-->Cass Sharphttp://www.blogger.com/profile/15210295670379120340noreply@blogger.com2tag:blogger.com,1999:blog-3975145188967570678.post-34075982102938189122015-08-17T21:22:00.000-07:002015-08-18T00:06:34.346-07:00Not sure exactly what constitutes Cultural Legal Studies?<h2 style="-webkit-transition: width 0.5s; background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: #333333; font-family: sans-serif; line-height: 20.2527008056641px; margin-bottom: 1em; outline: 0px; padding: 0px; transition: width 0.5s; vertical-align: baseline;">
<span style="font-size: small;">Check out our new edited collection: </span></h2>
<h2 style="-webkit-transition: width 0.5s; background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: #333333; font-family: sans-serif; line-height: 20.2527008056641px; margin-bottom: 1em; outline: 0px; padding: 0px; transition: width 0.5s; vertical-align: baseline;">
<span style="font-size: 15.0019998550415px; line-height: 20.2527008056641px;">Cassandra Sharp and Marett Leiboff (eds) </span><span style="font-size: large;"><i style="line-height: 20.2527008056641px;">Cultural Legal Studies: Law's Popular Cultures and the Metamorphosis of Law </i><span style="line-height: 20.2527008056641px;">(Routledge, 2015) </span></span></h2>
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Now available: <a href="http://www.tandf.net/books/details/9781138801066/" target="_blank">Check it out here</a></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjz9Kcmb_HcUpjixoVgO51hvxa_RaDbpMHtFsByC-haZjAwDdWooQ7VscZPqFGs1PiD0QzTsX8MOF-ZmNHI2VGRmqbcXiysZyebMr-DIcb1jYWQItUKmghwXgT1cfRqorHK5Vl4XF9rhCk/s1600/Law%2527s+Pop+Cultures+cover.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjz9Kcmb_HcUpjixoVgO51hvxa_RaDbpMHtFsByC-haZjAwDdWooQ7VscZPqFGs1PiD0QzTsX8MOF-ZmNHI2VGRmqbcXiysZyebMr-DIcb1jYWQItUKmghwXgT1cfRqorHK5Vl4XF9rhCk/s1600/Law%2527s+Pop+Cultures+cover.jpg" /></a></div>
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<br /></div>
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<span style="font-size: 15.0019998550415px; line-height: 20.2527008056641px;">What can law’s popular cultures do for law, as a constitutive and interrogative critical practice? This collection explores such a question through the lens of the ‘cultural legal studies’ movement, which proffers a new encounter with the ‘cultural turn’ in law and legal theory. Moving beyond the ‘law ands’ (literature, humanities, culture, film, visual and aesthetics) on which it is based, this book demonstrates how the techniques and practices of cultural legal studies can be used to metamorphose law and the legalities that underpin its popular imaginary. By drawing on three different modes of cultural legal studies – storytelling, technology and jurisprudence – the collection showcases the intersectional practices of cultural legal studies, and law in its popular cultural mode.</span><br />
<span style="font-size: 15.0019998550415px; line-height: 20.2527008056641px;"><br /></span></div>
<div style="-webkit-transition: width 0.5s; background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; color: #333333; font-family: sans-serif; font-size: 15.0019998550415px; line-height: 20.2527008056641px; margin-bottom: 1em; outline: 0px; padding: 0px; text-align: justify; transition: width 0.5s; vertical-align: baseline;">
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The contributors to the collection deploy differentiated modes of cultural legal studies practice, adopting diverse philosophical, disciplinary, methodological and theoretical approaches and subjects of examination. The collection draws on this mix of diversity and homogeneity to thread together its overarching theme: that we must take seriously an interrogation of law <i style="-webkit-transition: width 0.5s; background-attachment: initial; background-clip: initial; background-image: initial; background-origin: initial; background-position: initial; background-repeat: initial; background-size: initial; border: 0px; font-size: 15.0019998550415px; margin: 0px; outline: 0px; padding: 0px; transition: width 0.5s; vertical-align: baseline;">as </i>culture and in its cultural form. That is, it does not ask how a text ‘represents’ law; but rather how the representational nature of both law and culture intersect so that the ‘juridical’ become visible in various cultural manifestations. In short, it asks: how law’s popular cultures actively effect the metamorphosis of law.<br />
<br />
Cassandra Sharp and Marett Leiboff<br />
Legal Intersections Research Centre<br />
Faculty of Law Humanities and the Arts<br />
University of Wollongong</div>
Cass Sharphttp://www.blogger.com/profile/15210295670379120340noreply@blogger.com0tag:blogger.com,1999:blog-3975145188967570678.post-10592073530549733192015-02-22T15:36:00.002-08:002015-02-22T15:36:53.470-08:00<div align="center">
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<b style="mso-bidi-font-weight: normal;"><span style="font-size: 16.0pt; mso-ansi-language: EN-AU; mso-bidi-font-size: 12.0pt;">Call For Papers – GLR<i> </i>(2015) 24(3)<o:p></o:p></span></b></div>
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<b><i style="mso-bidi-font-style: normal;"><span style="font-size: 16.0pt; mso-ansi-language: EN-AU; mso-bidi-font-size: 12.0pt;"></span></i><i style="mso-bidi-font-style: normal;"><span style="mso-ansi-language: EN-AU;">Griffith Law Review</span></i></b></div>
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<i style="mso-bidi-font-style: normal;"><span style="mso-ansi-language: EN-AU;">A
Review Dedicated to the <br />
Socio-Legal, Inter-disciplinary, Critical and Theoretical Study of Law<o:p></o:p></span></i></div>
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<b style="mso-bidi-font-weight: normal;"><span style="mso-ansi-language: EN-AU;"><br /></span></b></div>
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<b style="mso-bidi-font-weight: normal;"><span style="mso-ansi-language: EN-AU;">Editor-in-Chief – <i style="mso-bidi-font-style: normal;">Professor William MacNeil<br />
</i>Managing Editors – <i style="mso-bidi-font-style: normal;">Dr Edward Mussawir
& Dr Timothy Peters<o:p></o:p></i></span></b></div>
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<span style="font-size: 11.0pt; line-height: 125%; mso-ansi-language: EN-AU; mso-bidi-font-size: 12.0pt;">The <i style="mso-bidi-font-style: normal;">Griffith Law
Review: Law Theory Society </i>has a proud history of publishing innovative and
engaging socio-legal, inter-disciplinary and critical legal research. Our focus
is international and we engage with worldwide issues and agendas. In
recognition of the Review’s standing as a leading journal, it was ranked A* by
the Australian Research Council for the 2010 Excellence in Research for
Australia Initiative.<o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 125%; margin-bottom: 12.0pt; text-align: justify;">
<span style="font-size: 11.0pt; line-height: 125%; mso-ansi-language: EN-AU; mso-bidi-font-size: 12.0pt;">The Review is pleased to announce the following
publishing opportunity for 2015.<o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><i style="mso-bidi-font-style: normal;"><span style="mso-ansi-language: EN-AU;"><span style="mso-spacerun: yes;"> </span>(2015) 24(3) Symposium<o:p></o:p></span></i></b></div>
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<b style="mso-bidi-font-weight: normal;"><i><span lang="EN-US">Through
the Looking Glass: the Framing of Law and Justice through Popular Imagination</span></i><i style="mso-bidi-font-style: normal;"><span lang="EN-US"><o:p></o:p></span></i></b></div>
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<i style="mso-bidi-font-style: normal;"><span style="font-size: 11.0pt; line-height: 125%; mso-ansi-language: EN-AU; mso-bidi-font-size: 12.0pt;">Symposium
Editor: <b style="mso-bidi-font-weight: normal;">Cassandra Sharp</b><br />
Deadline for manuscripts: <b style="mso-bidi-font-weight: normal;">30 March 2015</b><o:p></o:p></span></i></div>
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<span lang="EN-US" style="font-size: 11.0pt; line-height: 125%; mso-bidi-font-size: 12.0pt;">This
special edition is designed to explore the connected themes of legal
storytelling and the visual image of law and justice in popular culture.<span style="mso-spacerun: yes;"> </span>Following Alice, who contemplates, and then
explores, the world on the other side of the looking glass, this special
edition calls upon scholars to reflect on and encounter the concepts of law and
justice as broadly framed within popular imagination via the portal of popular
cultural texts. </span><span style="font-size: 11.0pt; line-height: 125%; mso-ansi-language: EN-AU; mso-bidi-font-size: 12.0pt;">Alice goes through the looking glass
to find a world both clear and recognizable yet inverted, or refracted, and so
too, this symposium sought to explore stories and images of law in popular
culture that are familiar, yet at the same time often turned strange. <o:p></o:p></span></div>
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<span lang="EN-US" style="font-size: 11.0pt; line-height: 125%; mso-bidi-font-size: 12.0pt;">Within
this theme, scholars can investigate and revisit issues that map the
contemporary discipline of law and pop culture – with its different dimensions
and relations to legal knowledge, law practice and jurisprudence. The special
edition seeks to allow for broad coverage under topics such as: <o:p></o:p></span></div>
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<!--[if !supportLists]--><span lang="EN-US" style="font-family: Symbol; font-size: 11.0pt; line-height: 125%; mso-bidi-font-family: Symbol; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";">
</span></span></span><!--[endif]--><span lang="EN-US" style="font-size: 11.0pt; line-height: 125%; mso-bidi-font-size: 12.0pt;">The role of legal storytelling in
transforming, mirroring, creating, and sustaining legal consciousness. <o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 125%; margin-left: 18.0pt; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -18.0pt;">
<!--[if !supportLists]--><span lang="EN-US" style="font-family: Symbol; font-size: 11.0pt; line-height: 125%; mso-bidi-font-family: Symbol; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";">
</span></span></span><!--[endif]--><span lang="EN-US" style="font-size: 11.0pt; line-height: 125%; mso-bidi-font-size: 12.0pt;">The framing and/or distortion of
law within popular images and narratives. <o:p></o:p></span></div>
<div class="MsoNormal" style="line-height: 125%; margin-left: 18.0pt; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -18.0pt;">
<!--[if !supportLists]--><span lang="EN-US" style="font-family: Symbol; font-size: 11.0pt; line-height: 125%; mso-bidi-font-family: Symbol; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";"> </span></span></span><span lang="EN-US" style="font-size: 11.0pt; line-height: 125%; mso-bidi-font-size: 12.0pt;">The transformation and circulation
of meaning in relation to perceptions of justice, and/or how justice
(dis)connects with law.<o:p></o:p></span></div>
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<!--[if !supportLists]--><span lang="EN-US" style="font-family: Symbol; font-size: 11.0pt; line-height: 125%; mso-bidi-font-family: Symbol; mso-bidi-font-size: 12.0pt; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";">
</span></span></span><!--[endif]--><span lang="EN-US" style="font-size: 11.0pt; line-height: 125%; mso-bidi-font-size: 12.0pt;">The (de)mystification of law
through popular stories. <o:p></o:p></span></div>
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<span style="font-size: 11.0pt; line-height: 125%; mso-ansi-language: EN-AU; mso-bidi-font-size: 12.0pt;">Submissions
are invited for this Symposium Edition, </span><span lang="EN-US" style="font-size: 11.0pt; line-height: 125%; mso-bidi-font-size: 12.0pt;">which can
be between 8,000 and 10,000 words in length, addressing any issue broadly
conceived within this theme. <o:p></o:p></span></div>
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<span lang="EN-US" style="font-size: 11.0pt; line-height: 125%; mso-bidi-font-size: 12.0pt;"><br /></span></div>
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<span lang="EN-US" style="font-size: 11.0pt; line-height: 125%; mso-bidi-font-size: 12.0pt;">Dr Cassandra Sharp (Symposium
Editor)<o:p></o:p></span></div>
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<span lang="EN-US"><span style="font-size: 11.0pt; line-height: 125%; mso-bidi-font-size: 12.0pt;"><a href="mailto:csharp@uow.edu.au">csharp@uow.edu.au</a></span></span><span lang="EN-US" style="font-size: 11.0pt; line-height: 125%; mso-bidi-font-size: 12.0pt;"><o:p></o:p></span></div>
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<span style="font-size: 11.0pt; line-height: 125%; mso-ansi-language: EN-AU; mso-bidi-font-size: 12.0pt;">Submissions to the journal can be made at the following web address:<o:p></o:p></span></div>
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<span lang="EN-US"><span lang="EN-US" style="font-size: 11.0pt; line-height: 125%; mso-ansi-language: EN-AU; mso-bidi-font-size: 12.0pt;"><span lang="EN-US"><a href="http://www.editorialmanager.com/rlaw">http://www.editorialmanager.com/rlaw</a></span></span></span><span style="font-size: 11.0pt; line-height: 125%; mso-ansi-language: EN-AU; mso-bidi-font-size: 12.0pt;"> <o:p></o:p></span></div>
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<span style="font-size: 11.0pt; line-height: 125%; mso-ansi-language: EN-AU; mso-bidi-font-size: 12.0pt;">For more information concerning the <i style="mso-bidi-font-style: normal;">GLR</i>
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<span style="font-size: 11.0pt; line-height: 125%; mso-ansi-language: EN-AU; mso-bidi-font-size: 12.0pt;">Dr Ed
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Managing Editors<br />
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Email: </span><span lang="EN-US"><span lang="EN-US" style="color: #cf001d; font-size: 11.0pt; line-height: 125%; mso-ansi-language: EN-AU; mso-bidi-font-size: 12.0pt;"><span lang="EN-US"><a href="mailto:glr@griffith.edu.au">glr@griffith.edu.au</a></span></span></span><span style="font-size: 11.0pt; line-height: 125%; mso-ansi-language: EN-AU; mso-bidi-font-size: 12.0pt;"><br />
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Cass Sharphttp://www.blogger.com/profile/15210295670379120340noreply@blogger.com1tag:blogger.com,1999:blog-3975145188967570678.post-63459300995760361912014-11-19T01:19:00.000-08:002014-11-19T01:19:12.673-08:00A burglar meets his victim? How would you respond to this story?
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<span lang="EN-US" style="font-family: Calibri; mso-bidi-font-family: Calibri; mso-fareast-font-family: Calibri;">In this extremely visual age, I had the recent opportunity to simply <i>listen</i> to a story of justice through the medium of radio documentary. I had the privilege of reviewing </span><span style="font-family: Calibri;">for UOW's</span><span style="font-family: Calibri;"> </span><i style="font-family: Calibri;">RadioDoc Review, </i><span style="font-family: Calibri; line-height: 150%;">a documentary produced by BBC Radio 4 in the UK</span><span style="font-family: Calibri; line-height: 150%;">, and I was amazed at my own response to not only the transformative effect of a burglar meeting his victim, but also to the way the radio medium so piqued my attention and provoked emotion. Reproduced below is a small extract from my review...</span></h4>
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<span lang="EN-US" style="font-family: Calibri; mso-bidi-font-family: Calibri; mso-fareast-font-family: Calibri;"><br /></span></div>
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<span lang="EN-US" style="font-family: Calibri; mso-bidi-font-family: Calibri; mso-fareast-font-family: Calibri;">Stories of justice as presented in media
reports play an important role in provoking responses to issues such as ethics,
crime, punishment and social responsibility. With the punishment of criminal
activity frequently attracting public attention and media reporting on
sentencing contributing to an increasingly punitive public (Gelb 2008), it is
rare to be invited to think differently about how ‘justice</span><span lang="FR" style="font-family: Calibri; mso-ansi-language: FR; mso-bidi-font-family: Calibri; mso-fareast-font-family: Calibri;">’ </span><span lang="EN-US" style="font-family: Calibri; mso-bidi-font-family: Calibri; mso-fareast-font-family: Calibri;">might be
achieved (whether for the victim or the offender). And yet, this is exactly
what <i>A Different Kind of Justice</i> does. To listen to this documentary
produced by Russell Finch for BBC Radio 4, is to take part in a review of one</span><span lang="FR" style="font-family: Calibri; mso-ansi-language: FR; mso-bidi-font-family: Calibri; mso-fareast-font-family: Calibri;">’</span><span lang="EN-US" style="font-family: Calibri; mso-bidi-font-family: Calibri; mso-fareast-font-family: Calibri;">s own perspective
on what should be the purpose of ‘justice</span><span lang="FR" style="font-family: Calibri; mso-ansi-language: FR; mso-bidi-font-family: Calibri; mso-fareast-font-family: Calibri;">’</span><span lang="EN-US" style="font-family: Calibri; mso-bidi-font-family: Calibri; mso-fareast-font-family: Calibri;">. It is a
challenge to extend what might ordinarily be our primary natural desire for
offenders to be punished, into a connected desire for the restoration of
relationships and healed lives.<span style="mso-spacerun: yes;"> </span><o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: Calibri; mso-bidi-font-family: Calibri; mso-fareast-font-family: Calibri;"><i>A Different
Kind of Justice</i>, narrated by dialogue expert Karl James, explores the
impact of a restorative justice program from a deeply empirical perspective. In
interviewing, and then facilitating discussion between a burglar and his
victim, James provides an exquisitely emotional look into the cathartic and potentially
transformative impact of one particular restorative justice encounter in Blackburn,
UK. <i style="mso-bidi-font-style: normal;">A Different Kind of Justice</i>, uses
three distinct movements to re-tell a crime story by weaving together victim
and offender perspectives, and in the process reveals not only the profound
transformative effects of restorative justice on those participants, but also
the impact it can have on the listener. <o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: Calibri; mso-bidi-font-family: Calibri; mso-fareast-font-family: Calibri;"><br /></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2oReZI4tSF8wvhyphenhyphenhp9vz9Qs1drl9AG08b6HYP7mJs1Q49PyC0dUKTgUEGhgnLMP-yQ3JTy6NIG6me89zVoys6FipyzA36nYOAsn1xaz4-YwqvpTnySLyBx9p1rdQ6HE9un5xSB5NzR48/s1600/restorative+justice+.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi2oReZI4tSF8wvhyphenhyphenhp9vz9Qs1drl9AG08b6HYP7mJs1Q49PyC0dUKTgUEGhgnLMP-yQ3JTy6NIG6me89zVoys6FipyzA36nYOAsn1xaz4-YwqvpTnySLyBx9p1rdQ6HE9un5xSB5NzR48/s1600/restorative+justice+.jpg" height="130" width="200" /></a><span lang="EN-US" style="font-family: Calibri; mso-bidi-font-family: Calibri; mso-fareast-font-family: Calibri;">With recent studies suggesting that
meetings between victims of crime and their perpetrators can both reduce
reoffending rates and provide pyschological healing for victims (Bolitho et al,
2012), there has been a significant increase of these ‘restorative justice’
meetings in the UK. In this program, the story is narratively crafted using the
interweaving of articulated memories – both Margaret (the victim) and Ian (the offender)
describe their memories of the crime and their subsequent ‘restorative
interaction’. It is in hearing these descriptions of juxtaposed and personalized
memories that the listener is keenly aware of the raw emotion constituting this
crime narrative. But, what is the particular story that has seemingly entwined
their lives? As described in the Somethin’ Else <i style="mso-bidi-font-style: normal;">Program Information</i>, the essence of their story is this: <o:p></o:p></span></div>
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<br /></div>
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<i style="mso-bidi-font-style: normal;"><span lang="EN-US" style="font-family: Calibri; font-size: 11.0pt; line-height: 150%; mso-bidi-font-family: Calibri; mso-fareast-font-family: Calibri;">In November 2008, Margaret interrupted a
burglary in her own home. As she came through the backdoor, the burglar left
through the front. He had taken a laptop full of photos commemorating her
daughter Jessica's 18th birthday. Eight months later her daughter was killed in
a tragic car accident. The theft of the laptop meant her parents were deprived
of any recent family photos of their daughter. …. inspired by the memory of her
daughter, Margaret agreed to meet the offender in a restorative justice
conference in Preston Prison. Ian was that burglar. <o:p></o:p></span></i></div>
<div class="Body" style="line-height: 150%; text-align: justify; text-justify: inter-ideograph;">
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<span lang="EN-US" style="font-family: Calibri; mso-bidi-font-family: Calibri; mso-fareast-font-family: Calibri;">However, this is more than just a
narrative of burglar meets victim. It becomes a gripping, metaphorical looking
glass through which we can explore the practical realities of restorative
justice, and the listener quickly realizes that this is a story of restoration,
forgiveness, guilt, and burden. It is indeed a story of a different kind of
justice.<o:p></o:p></span></div>
<div class="Body" style="line-height: 150%; text-align: justify; text-justify: inter-ideograph;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQmZjtmDvYLiOrttL03W0dSZRhJvgIKTwD4JVgjSzhyphenhyphen_NFeLZkOr2pV_N5sZyTNUR6lErdH7JglFHCMjzW_SBGAb2dTAXK-RJVRPg4AuCNjqDGpG1r-v5eeSyTHzORUC5PRCVglW4GHDQ/s1600/rdr-logo.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiQmZjtmDvYLiOrttL03W0dSZRhJvgIKTwD4JVgjSzhyphenhyphen_NFeLZkOr2pV_N5sZyTNUR6lErdH7JglFHCMjzW_SBGAb2dTAXK-RJVRPg4AuCNjqDGpG1r-v5eeSyTHzORUC5PRCVglW4GHDQ/s1600/rdr-logo.jpg" height="150" width="200" /></a><span lang="EN-US" style="font-family: Calibri; mso-bidi-font-family: Calibri; mso-fareast-font-family: Calibri;"><br /></span></div>
<div class="Body" style="line-height: 150%; text-align: justify; text-justify: inter-ideograph;">
<span lang="EN-US" style="font-family: Calibri; mso-bidi-font-family: Calibri; mso-fareast-font-family: Calibri;">To read my full review at <i>RadioDoc Review</i> <a href="http://ro.uow.edu.au/cgi/viewcontent.cgi?article=1018&context=rdr" target="_blank">click here</a>. </span></div>
<br />
<br />
<div class="Body" style="line-height: 150%; text-align: justify; text-justify: inter-ideograph;">
<span lang="EN-US" style="font-family: Calibri; mso-bidi-font-family: Calibri; mso-fareast-font-family: Calibri;">I encourage you to listen to the documentary for yourself - which you can do by <a href="http://adifferentkindofjustice.somethinelse.com/" target="_blank">clicking here</a> and scrolling to the very end (after all the comments) to listen via soundcloud.</span></div>
Cass Sharphttp://www.blogger.com/profile/15210295670379120340noreply@blogger.com2tag:blogger.com,1999:blog-3975145188967570678.post-16179999272920401942014-06-11T17:43:00.000-07:002014-06-11T17:43:55.516-07:00Check out my upcoming symposium....<div class="separator" style="clear: both; text-align: center;">
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<span lang="EN-US" style="font-family: "Flamauow Book"; font-size: 14.0pt;">The Legal Intersections
Research Centre (LIRC) invites you to a Symposium<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Flamauow Bold"; font-size: 16.0pt; mso-bidi-font-size: 11.0pt;"><b>Through
the Looking Glass: the Framing of Law & Justice through Popular Imagination</b><o:p></o:p></span></div>
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<br /></div>
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<span lang="EN-US" style="font-family: "Flamauow Bold"; font-size: 13.0pt; mso-bidi-font-size: 12.0pt;">Date:<span style="mso-tab-count: 1;"> </span>Friday 4 July 2014<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Flamauow Bold"; font-size: 13.0pt; mso-bidi-font-size: 12.0pt;">Time:<span style="mso-tab-count: 1;"> </span>9am – 5pm<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Flamauow Bold"; font-size: 13.0pt; mso-bidi-font-size: 12.0pt;">Location:<span style="mso-tab-count: 1;"> </span>67.202 – Moot Court<o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Flamauow Bold"; font-size: 13.0pt; mso-bidi-font-size: 12.0pt;">Register:<span style="mso-tab-count: 1;"> </span></span><span lang="EN-US"><a href="https://docs.google.com/forms/d/1kDiUl6AB54TNUpvelkZ8B0vmbtMENyrC2ACA8Qu3Ncc/viewform?c=0&w=1&usp=mail_form_link"><span style="font-family: "Flamauow Bold"; font-size: 13.0pt; mso-bidi-font-size: 12.0pt;">Online</span></a></span><span lang="EN-US" style="font-family: "Flamauow Bold"; font-size: 13.0pt; mso-bidi-font-size: 12.0pt;">
by 27 June <o:p></o:p></span></div>
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<span lang="EN-US" style="font-family: "Flamauow Bold"; font-size: 13.0pt; mso-bidi-font-size: 12.0pt;">Registration
is free. Places are limited</span><span lang="EN-US"><o:p></o:p></span></div>
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Following Alice, who contemplates, and then
explores, the world on the other side of the looking glass, this symposium
calls upon participants to reflect on and encounter the concepts of law and
justice as broadly framed within popular imagination via the portal of popular
cultural texts. Under this banner, presenters will investigate and revisit
issues that map the different dimensions of a cultural legal studies approach
to popular culture and its relationship with legal knowledge, law practice and
jurisprudence covering issues such as: <o:p></o:p><br />
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<span lang="EN-US" style="font-family: "Flamauow Book"; font-size: 11.0pt;"><o:p><br /></o:p></span></div>
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<span lang="EN-US" style="font-family: "Flamauow Book"; font-size: 11.0pt;"><o:p><br /></o:p></span></div>
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<span lang="EN-US" style="font-family: "Flamauow Book"; font-size: 11.0pt;"><o:p><br /></o:p></span></div>
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<br /></div>
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<!--[if !supportLists]--><span lang="EN-US" style="font-family: Symbol; font-size: 11.0pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";"> </span></span></span><!--[endif]--><span lang="EN-US" style="font-family: "Flamauow Book"; font-size: 11.0pt;">The role of
legal storytelling in transforming, mirroring, creating, and sustaining legal
consciousness. <o:p></o:p></span></div>
<div class="MsoListParagraphCxSpMiddle" style="margin-left: 18.0pt; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -18.0pt; text-justify: inter-ideograph;">
<!--[if !supportLists]--><span lang="EN-US" style="font-family: Symbol; font-size: 11.0pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";"> </span></span></span><!--[endif]--><span lang="EN-US" style="font-family: "Flamauow Book"; font-size: 11.0pt;">The framing
and/or distortion of law within popular images and narratives. <o:p></o:p></span></div>
<div class="MsoListParagraphCxSpMiddle" style="margin-left: 18.0pt; mso-add-space: auto; mso-list: l0 level1 lfo1; text-align: justify; text-indent: -18.0pt; text-justify: inter-ideograph;">
<!--[if !supportLists]--><span lang="EN-US" style="font-family: Symbol; font-size: 11.0pt; mso-bidi-font-family: Symbol; mso-fareast-font-family: Symbol;"><span style="mso-list: Ignore;">·<span style="font: 7.0pt "Times New Roman";"> </span></span></span><!--[endif]--><span lang="EN-US" style="font-family: "Flamauow Book"; font-size: 11.0pt;">The
transformation of meaning in relation to justice, and/or how justice
(dis)connects with law.<o:p></o:p></span></div>
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</span></span></span><!--[endif]--><span lang="EN-US" style="font-family: "Flamauow Book"; font-size: 11.0pt;">The (de)mystification of law through popular
stories. <o:p></o:p></span></div>
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<b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: "Flamauow Bold"; font-size: 14.0pt;">Keynote Speaker: </span></b><b style="mso-bidi-font-weight: normal;"><span style="font-family: "Flamauow Bold"; font-size: 14.0pt; mso-ansi-language: EN-AU;">JESSICA SILBEY</span></b><b style="mso-bidi-font-weight: normal;"><span lang="EN-US" style="font-family: "Flamauow Bold"; font-size: 14.0pt;"><o:p></o:p></span></b></div>
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<span lang="EN-US" style="font-family: "Flamauow Bold"; font-size: 14.0pt; mso-bidi-font-size: 11.0pt;">Biography: </span><span lang="EN-US" style="font-family: "Flamauow Book"; mso-fareast-font-family: "Times New Roman";">Jessica
Silbey is a law professor at Suffolk University Law School in Boston,
Massachusetts, USA. Professor Silbey’s scholarly interests and expertise is in
the cultural analysis of law, exploring the law beyond its doctrine to the
contexts and processes in which legal relations develop and become significant
for everyday actors. Professor Silbey has published widely in the field
of law and film, exploring how film is used as a legal tool and how it becomes
an object of legal analysis in light of its history as a cultural object and
art form. She recently co-edited a book about law and television entitled <i>Law
and Justice on the Small Screen</i> (2012). <o:p></o:p></span></div>
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<span style="font-family: "Flamauow Bold"; font-size: 13.0pt; mso-ansi-language: EN-AU; mso-bidi-font-size: 16.0pt;">Other presenters:<b style="mso-bidi-font-weight: normal;"> Jason Bainbridge, Penny Crofts, David
Papke, William MacNeil, Cassandra Sharp, Kieran Tranter</b><span style="mso-spacerun: yes;"> </span><o:p></o:p></span></div>
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School of Law</b><o:p></o:p></span></div>
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<span style="font-family: "Flamauow Book"; font-size: 10.0pt; mso-bidi-font-size: 11.0pt;">Faculty
of Law, Humanities and the Arts, UOW e: </span><a href="mailto:csharp@uow.edu.au"><span style="font-family: "Flamauow Book"; font-size: 10.0pt; mso-bidi-font-size: 11.0pt;">csharp@uow.edu.au</span></a><span style="font-family: "Flamauow Book"; font-size: 10.0pt; mso-bidi-font-size: 11.0pt;">
<o:p></o:p></span></div>
Cass Sharphttp://www.blogger.com/profile/15210295670379120340noreply@blogger.com0tag:blogger.com,1999:blog-3975145188967570678.post-90771358251081949772014-05-11T04:25:00.000-07:002014-05-11T04:25:15.823-07:00 ‘Anti-hero’ Jack Bauer and his ticking clock returns to our television screens…<h2 style="text-align: left;">
<span style="font-size: x-large;">The return of Jack Bauer</span></h2>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipuMwKk5MxBmdmKmZUQ06USySpnoSd9gdaT8RgauxIaShoDbPCZOWGPSAjySFdz2por9AyY1PVe8dU_zHRjtGNcS1aowsMa50ysQ7PlV_UZnW7TLMohc4492jYhJvui9m5KlFnk4r3BY4/s1600/24_LAD_Poster.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em; text-align: center;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEipuMwKk5MxBmdmKmZUQ06USySpnoSd9gdaT8RgauxIaShoDbPCZOWGPSAjySFdz2por9AyY1PVe8dU_zHRjtGNcS1aowsMa50ysQ7PlV_UZnW7TLMohc4492jYhJvui9m5KlFnk4r3BY4/s1600/24_LAD_Poster.jpg" height="400" width="270" /></a></div>
<div style="text-align: justify;">
<span style="font-size: large;"><br /></span></div>
<div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
<span style="font-size: large;">Its been four years since Jack Bauer has
been visible on our screens, but this week he comes out of hiding to once again
beat the clock to thwart yet another conspiracy/terrorist produced chaos. </span></div>
<div style="text-align: justify;">
<span style="font-size: large;"><br /></span></div>
<div style="text-align: justify;">
<span style="font-size: large;"><br /></span></div>
<div style="text-align: justify;">
<span style="font-size: large;">Kiefer
Sutherland spent 10 years playing the role of Jack Bauer (winning a Golden
Globe and Emmy) and is back to reprise this anti-hero character who does what
needs to be done in order to achieve justice.</span></div>
<br />
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNW7oDD-ZOXHsg9nG2W2bvFZAmCl6nuQrgeuUnDBCyHqeWmKwaG519vWxmrcpkMgJeHoKEtpCZrJF3JTPcVQUaynCvhRP_WmjE_7ws9yNkdfwRkg2Q_hRiA88JSQhpoJUYJxbHwkPfkJg/s1600/ticking+clock.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em; text-align: justify;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNW7oDD-ZOXHsg9nG2W2bvFZAmCl6nuQrgeuUnDBCyHqeWmKwaG519vWxmrcpkMgJeHoKEtpCZrJF3JTPcVQUaynCvhRP_WmjE_7ws9yNkdfwRkg2Q_hRiA88JSQhpoJUYJxbHwkPfkJg/s1600/ticking+clock.jpg" height="180" width="320" /></a></div>
<br />
<div style="text-align: justify;">
<span style="font-size: large;">Retaining the ‘real time’ method of
narration made famous in the previous 10 seasons, </span><i style="font-size: x-large;"><b>24: Live Another Day</b></i><span style="font-size: large;">, restarts the ticking clock on another
suspenseful, high-octane race to prevent an unthinkable terrorist attack and
save the world. With the slight modification of covering 12 hours in real time,
rather than the usual 24, </span><i style="font-size: x-large;">Live Another
Day</i><span style="font-size: large;"> continues to utilize the pulse-pounding, fast-paced format with split
screens and interweaving storylines, and of course the signature Jack Bauer ‘I’m
sucking a lemon’ scowl that tells you he is on a mission.</span></div>
<span style="font-size: large;"><div style="text-align: justify;">
</div>
<span lang="EN-US"><div style="text-align: justify;">
Set and shot in London, the suspenseful
series once again follows the exploits of Jack, now a fugitive from justice. Despite
his exiled status, he nevertheless seems yet again willing to risk his life and
freedom to avert another global disaster. After 4 years, Bauer is up to his old
tricks, trusting no-one, breaking the law, planting bugs, kicking some
serious butt, and living in the land of all things ethically grey!</div>
</span></span><br />
<h3>
<span style="font-size: large;"><div style="text-align: justify;">
So…what is it about Jack Bauer?</div>
</span></h3>
<div style="text-align: justify;">
<span style="font-size: large;"><span lang="EN-US"><br /></span></span></div>
<span style="font-size: large;"><div style="text-align: justify;">
In this iteration of <i>24, </i>Jack is the ultimate ‘outsider’ to
law – he is a fugitive with an instinct for violent action in response to
possible terrorist activity. </div>
</span><div>
<div style="text-align: justify;">
<span style="font-size: large;"><br /></span></div>
<div>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7vPAEC5MdRGc842PvAdENUo7AjerNK67uRx0PEpHWFnCz1EbDX2sXINWF4cQg0Q0F6ip7e2WozJSM2pm3GwrWYHPck-dgxWKUaxYrS-X2K5C6_MJ5zNXn0bqv-BFgYr67D370_SMUJCY/s1600/24-jack-bauer-001.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em; text-align: justify;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEi7vPAEC5MdRGc842PvAdENUo7AjerNK67uRx0PEpHWFnCz1EbDX2sXINWF4cQg0Q0F6ip7e2WozJSM2pm3GwrWYHPck-dgxWKUaxYrS-X2K5C6_MJ5zNXn0bqv-BFgYr67D370_SMUJCY/s1600/24-jack-bauer-001.jpg" height="240" width="320" /></a><span style="font-size: large;"><div style="text-align: justify;">
<span style="font-size: large;">He follows no rules or laws except his own, has a
unique instinct for violent action, and his isolation and alienation from the
legal institutions he used to serve, has forced him to fall back completely on
his own extra-legal ways. </span>It is this extra-legality that we seem to love – the
uncanny ability Jack possesses to know that torture, although illegal, is not
only justified, but entirely effective and therefore necessary.</div>
</span><div>
<div>
<div style="text-align: justify;">
<span style="font-size: large;"><br /></span></div>
<span style="font-size: large;"><div style="text-align: justify;">
<br /></div>
<div style="text-align: justify;">
As the ‘outsider’ Jack
is the damaged anti-hero who we love to see break the law in order to serve the
greater good. As co-creator of <i>24 </i>Robert Cochran says: </div>
</span></div>
<div style="text-align: justify;">
<span style="font-size: large;"><br /></span></div>
<div>
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2kUcpqzgVl6ljQoFZf1gq-VXbOg0TAe6qOwodZKe4Y55xRwKr0205Fn4HFFnbjqV8E7sWFENdqffumNKZQ2FlduDuimUJqPykjA78NjYMRC2iYKkNFHHojoC9IyEPh5PiDmHytfMji70/s1600/Jack-Bauer.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em; text-align: justify;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEg2kUcpqzgVl6ljQoFZf1gq-VXbOg0TAe6qOwodZKe4Y55xRwKr0205Fn4HFFnbjqV8E7sWFENdqffumNKZQ2FlduDuimUJqPykjA78NjYMRC2iYKkNFHHojoC9IyEPh5PiDmHytfMji70/s1600/Jack-Bauer.jpg" height="100" width="200" /></a><blockquote class="tr_bq" style="text-align: justify;">
<span style="font-size: large;">"He doesn't
often do the right thing, but he does the right thing by breaking the rules – that's
kind of exciting and people want to root for that."</span></blockquote>
<span style="font-size: large;"><div style="text-align: justify;">
<b><o:p> </o:p></b></div>
</span></div>
<div style="text-align: justify;">
<span style="font-size: large;"><b><span style="mso-ansi-language: EN-AU;"><o:p><br /></o:p></span></b></span></div>
<div>
<div style="text-align: justify;">
<span style="font-size: large; font-weight: bold;"><br /></span></div>
<span style="font-size: large;"><div style="text-align: justify;">
This is most evident in the trailer which you can see if you click <a href="https://www.youtube.com/watch?v=wKwXDVls4sg" target="_blank">here</a>. </div>
</span></div>
<div style="text-align: justify;">
<span style="font-size: large;"><span lang="EN-US"><br /></span></span></div>
<div>
<div style="text-align: justify;">
<span style="font-size: large;">In the clip, CIA operations chief Steve Navarro (Benjamin
Bratt) is talking to Jack Bauer after two Russian diplomats are killed, and he
says:</span></div>
<span style="font-size: large;"><div style="text-align: justify;">
</div>
</span><blockquote class="tr_bq" style="text-align: justify;">
<span style="font-size: large;"><span lang="EN-US">“I know how many lives you’ve saved — how
much the country is in your debt – but they’re just going to see a man who
snapped... Killing and mutilating with no regard to law or conscience. A man
whose country now labels him a criminal; a terrorist.”</span></span></blockquote>
<span style="font-size: large;"><div style="text-align: justify;">
</div>
<span lang="EN-US"><div style="text-align: justify;">
It will be interesting to see how long Jack
Bauer will remain an enemy of the state in this latest season of <i>24. </i></div>
</span></span></div>
<div style="text-align: justify;">
<span style="font-size: large;"><span lang="EN-US"><br /></span></span></div>
<div style="text-align: justify;">
<span style="font-size: large;"><span lang="EN-US"><i>Will his ‘outsider’ status prove
useful to the ultimate goal of saving the world from terrorist actions? </i></span></span></div>
<div style="text-align: justify;">
<span style="font-size: large;"><span lang="EN-US"><br /></span></span></div>
<div style="text-align: justify;">
<span style="font-size: large;"><span lang="EN-US">Even
more interesting for my law and pop culture students is the question
surrounding the legitimacy of law in that world, and the ultimate efficacy of
law in the search for justice. </span></span></div>
<div style="text-align: justify;">
<span style="font-size: large;"><span lang="EN-US"><i><br /></i></span></span></div>
<div style="text-align: justify;">
<span style="font-size: large;"><span lang="EN-US"><i>Is extra-legality now the necessity for
effecting true justice? </i></span></span></div>
<div style="text-align: justify;">
<span style="font-size: large;"><span lang="EN-US"><br /></span></span></div>
<div>
<div style="text-align: justify;">
<span style="font-size: large;">Let’s see what Jack tells us over the 12 hours of </span><i style="font-size: x-large;">Live Another Day….</i></div>
<span style="font-size: large;"><div style="text-align: justify;">
</div>
<span lang="EN-US"><div style="text-align: justify;">
</div>
</span></span><br />
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Cass Sharphttp://www.blogger.com/profile/15210295670379120340noreply@blogger.com270tag:blogger.com,1999:blog-3975145188967570678.post-61747572691245345802014-04-03T22:10:00.002-07:002014-04-03T22:10:31.981-07:00Revenge and Justice...<h2 style="text-align: center;">
<span lang="EN-US"><span style="font-family: inherit; font-size: x-large;">Why we love a good ‘revengenda'.</span></span></h2>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFBzKhrgUdv06tkh-VLV3qXdFvE8CLC0NAcF8jmmE2inkpn3M-fqvuBhqw3gC8Yw9NgfPMp8Ov_79scmOSSTW3cM0FENV1DiofyffV2DFRul_pUE6LU1FAmevTVl-cFF5YF-qhx3hffCc/s1600/Revenge.jpeg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><br /></a></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjClhFMjju6j8ZkRCRD_orIvDHU1slwzIPHDvccN_MNWJpwfyjeBqZnTRhj-Da_AyDgpiecEaMA1IYVm8NUF3cUB2FI_UUxXhsJGj1qaFQkqD5oQVZguc2tWgCGeFPHqR-uSRclTo6oT18/s1600/revenge.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em; text-align: center;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjClhFMjju6j8ZkRCRD_orIvDHU1slwzIPHDvccN_MNWJpwfyjeBqZnTRhj-Da_AyDgpiecEaMA1IYVm8NUF3cUB2FI_UUxXhsJGj1qaFQkqD5oQVZguc2tWgCGeFPHqR-uSRclTo6oT18/s1600/revenge.jpg" /></a></div>
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<span lang="EN-US"><span style="font-size: large;">The relationship between justice and
revenge is a topic that has been of great importance for hundreds of years in
literature, philosophy, legal theory and particularly pop culture. Westerns
have made a roaring trade over the years spinning the revenge yarn into
compelling action and drama; the vigilante superhero of comics and screen are
most times spurred into action as a vengeful response to the loss of loved one
at the hands of corruption and villainy; and television crime dramas frequently
use the underlying revenge theme as a background story to character
development. But is revenge the same thing as justice? </span></span></div>
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<br /></div>
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<span lang="EN-US"><span style="font-size: large;">As many scholars have noted, there is an
ever-present consistency in the expectation that our legal system is based on
the belief that revenge and justice must be differentiated – ie we must
discourage the passion of revenge in favour of the reason and discipline of
law’s officially sanctioned retributive measures. The idea is that legal
justice can be “retributive without being vengeful. Vengeance must be kept at
bay, so the argument goes, because it represents an unwarranted concession to
an anger and passion that knows no limits.”<a href="https://www.blogger.com/blogger.g?blogID=3975145188967570678#_ftn1" name="_ftnref" style="mso-footnote-id: ftn;" title=""><span class="MsoFootnoteReference"><span style="mso-special-character: footnote;"><!--[if !supportFootnotes]-->[1]<!--[endif]--></span></span></a>
</span></span></div>
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<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-US"><span style="font-size: large;">Yet…why does justice sometimes feel like an
unsatisfactory substitute for revenge? Why do the texts and characters of
popular culture so often portray a deep longing to exact some sort of revenge
that exists outside the justice provided by the law? </span></span></div>
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<span lang="EN-US"><span style="font-size: large;"><br /></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFBzKhrgUdv06tkh-VLV3qXdFvE8CLC0NAcF8jmmE2inkpn3M-fqvuBhqw3gC8Yw9NgfPMp8Ov_79scmOSSTW3cM0FENV1DiofyffV2DFRul_pUE6LU1FAmevTVl-cFF5YF-qhx3hffCc/s1600/Revenge.jpeg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em; text-align: center;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgFBzKhrgUdv06tkh-VLV3qXdFvE8CLC0NAcF8jmmE2inkpn3M-fqvuBhqw3gC8Yw9NgfPMp8Ov_79scmOSSTW3cM0FENV1DiofyffV2DFRul_pUE6LU1FAmevTVl-cFF5YF-qhx3hffCc/s1600/Revenge.jpeg" height="320" width="320" /></a></div>
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<span lang="EN-US"><span style="font-size: large;"><br /></span></span></div>
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<span lang="EN-US"><span style="font-size: large;"><br /></span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-US"><span style="font-size: large;">This week in my Law and Popular Culture
class, we have been exploring <i style="mso-bidi-font-style: normal;">Revenge </i>and
<i style="mso-bidi-font-style: normal;">The Mentalist </i>as two TV dramas that
portray legal ‘outsiders’ enacting their form of revenge via methods external
to the law and the official justice system. Both these series deploy revenge as
a key plot device to motivate the protagonist. </span></span></div>
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<span lang="EN-US"></span></div>
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<br /></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhS0-hCOK1Nh7uaqkewPOQnWuifnOc8X3E2QYrH5OPY1AWlsfgOa3lli8N6JDjyznAlGoz-wH-aIMu1tRfH2UKeGcmIBGOvCwldF0HfJOyqZ90TrOOaay1Ma-W0u8b3JwI5bD6bFZLn1ds/s1600/patrick+jayne.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em; text-align: center;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhS0-hCOK1Nh7uaqkewPOQnWuifnOc8X3E2QYrH5OPY1AWlsfgOa3lli8N6JDjyznAlGoz-wH-aIMu1tRfH2UKeGcmIBGOvCwldF0HfJOyqZ90TrOOaay1Ma-W0u8b3JwI5bD6bFZLn1ds/s1600/patrick+jayne.jpg" height="169" width="320" /></a><span lang="EN-US"><span style="font-size: large;"></span></span></div>
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<span style="font-size: large;"><span lang="EN-US"><span style="font-size: large;"><br /></span></span></span></div>
<div style="text-align: justify;">
<span style="font-size: large;">Emily Thorne and Patrick Jayne
have each endured significant heartache and loss at the hands of villains. And
both circumvent the law in order to do bring about their personal revenge. Of
course, in Emily’s case, she is forever breaking the law to bring her schemes
to fruition according to her long term ‘Revengenda’! On the other hand, Jayne’s
dissonance with the law is more behind the scenes. Although technically not a
police officer or detective (he is a consultant with the California Bureau of
Investigations), he has access to legal processes and information within the
criminal justice system. Jayne uses this insider position to his advantage in
order to secretly discover the identity and location of Red John – with the ultimate
revengenda to kill him before the authorities catch up with him. In both cases
the desire for revenge is so strong that it overrides any need to obey the
rules of the legal system, or to respect the official justice system.</span></div>
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<br /></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiq1PNaimjVqzInn0hjiBCGU_ch1Hbl17vXH1FCovPN5ewIJz9z-n3_3YrDQ0k9sps4sgjczJ_92PtWrCCT1EOfBS8XQWe1yYprBoKS0TwiWKtz_SLsarY_tAvcVB0nX16LOOk9hctXb6g/s1600/revenge.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em; text-align: center;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiq1PNaimjVqzInn0hjiBCGU_ch1Hbl17vXH1FCovPN5ewIJz9z-n3_3YrDQ0k9sps4sgjczJ_92PtWrCCT1EOfBS8XQWe1yYprBoKS0TwiWKtz_SLsarY_tAvcVB0nX16LOOk9hctXb6g/s1600/revenge.jpg" height="150" width="200" /></a><span lang="EN-US"><span style="font-size: large;">For both Emily and Patrick,
revenge is inextricably linked to a personal, subjective ideal of retributive
justice, and they see this as different to the ‘justice’ (un)fulfilled by the
law. To these central characters, the offenders must pay. If the law cannot actually
effect justice in the sense of ‘payback’, then the protagonists in these series
must provide it themselves. </span></span></div>
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<span lang="EN-US"><span style="font-size: large;"><br /></span></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbO9hm0nXvD4DiDuG-xBx_veRDcBEGwjiI2yFIj9MWpCEzxnk_nqIGg9nIOz_KzS0PsJwXOi1NHrIAfBSo09Nwqum8SqmvivXyKiHFLXceBm_0VV6T7OXYbhDVm_w_g9CCcP4lazyklz0/s1600/red+john.jpg" imageanchor="1" style="clear: right; float: right; font-size: x-large; margin-bottom: 1em; margin-left: 1em; text-align: center;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjbO9hm0nXvD4DiDuG-xBx_veRDcBEGwjiI2yFIj9MWpCEzxnk_nqIGg9nIOz_KzS0PsJwXOi1NHrIAfBSo09Nwqum8SqmvivXyKiHFLXceBm_0VV6T7OXYbhDVm_w_g9CCcP4lazyklz0/s1600/red+john.jpg" height="213" width="320" /></a></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-US"><span style="font-size: large;">For Patrick, the criminal justice system is not
only slow and ineffectual in capturing Red John, but he is not convinced that,
even if Red John was to be apprehended, the legal system could/would provide
the retributive satisfaction he seeks. Patrick is single-minded – he wants
payback, and he does not hide his desire to kill Red John as the only ‘justice’
suitable for this particular criminal. </span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-US"><span style="font-size: large;"><br /></span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-US"><span style="font-size: large;">Emily too, spent many years watching the
corruption and villainy of her father’s murderers go unpunished by the official
justice system.<span style="mso-spacerun: yes;"> </span>Her constant vow
is to exact her excruciatingly drawn out revenge on those responsible. </span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-US"><span style="font-size: large;"><br /></span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzyZsAD3ZgqhbOnUHEvj0fMTKBwRyB2ZhyphenhyphenxpgOXnBF9c6jCpJTuswiRMfcU4jvqAR7BWdFLWxDwxA_vqXP_pnTJrqRnCfFfhvreB3yUjO5qvKSNmGa_w0qaCPMIwBf9n24cTM7MH_HHv8/s1600/emily+thorne+revenge+quote1.jpg" imageanchor="1" style="clear: left; float: left; font-size: x-large; margin-bottom: 1em; margin-right: 1em; text-align: center;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjzyZsAD3ZgqhbOnUHEvj0fMTKBwRyB2ZhyphenhyphenxpgOXnBF9c6jCpJTuswiRMfcU4jvqAR7BWdFLWxDwxA_vqXP_pnTJrqRnCfFfhvreB3yUjO5qvKSNmGa_w0qaCPMIwBf9n24cTM7MH_HHv8/s1600/emily+thorne+revenge+quote1.jpg" height="225" width="400" /></a><span style="font-size: large;">Emily has
zero expectation that the justice system would give these people what they
deserve. To her, official justice is ineffectual, spineless and ultimately absent. </span><span style="font-size: large;">Revenge in the
form of vengeance is the only justice she is concerned with….</span></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-US"><o:p><span style="font-size: large;"><br /></span></o:p></span></div>
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<span lang="EN-US"><span style="font-size: large;"><br /></span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-US"><span style="font-size: large;">And oh how it makes for gripping television
soap-opera/drama! </span></span><span style="font-size: large;">In both these shows, there is somehow something deliciously
voyeuristic about following the journey of the central character exacting their
revenge! We want them to succeed in their extra-legal revengendas! We want the
offenders to pay, and for that payback to be glorious. </span><span style="font-size: large;">Why is that? Is it because we crave
retribution? Or have an undeniable desire to see wrong-doers get what they
deserve? Or even because we don’t like the idea of wrongs generally going
unpunished.</span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: large;"><br /></span></div>
<div class="MsoNormal" style="text-align: justify;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhr8GSWUhN8j-mhSiG2XvavvS5uk3_dhBIIJ_klaLuDvh42YLjKT2pUF7NI0_X5SJPly8wreObDyC_t-Lpkp7rcuCb6MGzud7JMcHo-Mm9ZrIEfA_bKawQUZtGLRng-PBADXEdEkfuQ8VQ/s1600/distinct+smell+of+retribution.jpg" imageanchor="1" style="clear: left; float: left; font-size: x-large; margin-bottom: 1em; margin-right: 1em; text-align: center;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhr8GSWUhN8j-mhSiG2XvavvS5uk3_dhBIIJ_klaLuDvh42YLjKT2pUF7NI0_X5SJPly8wreObDyC_t-Lpkp7rcuCb6MGzud7JMcHo-Mm9ZrIEfA_bKawQUZtGLRng-PBADXEdEkfuQ8VQ/s1600/distinct+smell+of+retribution.jpg" height="240" width="320" /></a></div>
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<span lang="EN-US"><span style="font-size: large;"><br /></span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-US"><span style="font-size: large;">Whatever the reason, given the frequency of
revengendas in contemporary tv and film plotlines, it is clear that issues of
revenge and justice resonate with tv and film audiences ….and so the questions that
linger endlessly in the background remain: </span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-US"><o:p><span style="font-size: large;"><br /></span></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-US"><o:p><span style="font-size: large;"><br /></span></o:p></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-US"><o:p><span style="font-size: large;"><br /></span></o:p></span></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US"><span style="font-size: large;"><b>Do we believe that revenge and justice are
that different? </b></span></span></div>
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<br /></div>
<div class="MsoNormal" style="text-align: center;">
<span lang="EN-US"><span style="font-size: large;"><b>And can either of them ever truly provide
satisfaction? </b></span></span></div>
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<span lang="EN-US"><span style="font-size: large;">Love to hear your thoughts….</span></span></div>
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<!--[if !supportLists]--><span style="color: black; font-family: Arial; font-size: 6.5pt; mso-ansi-language: EN-AU; mso-bidi-font-family: Arial; mso-fareast-font-family: Arial;"><span style="mso-list: Ignore;">1.<span style="font: 7.0pt "Times New Roman";">
</span></span></span><!--[endif]--><a href="https://www.blogger.com/blogger.g?blogID=3975145188967570678#_ftnref" name="_ftn1" style="mso-footnote-id: ftn;" title=""></a><span style="color: black; font-family: Arial; font-size: 6.5pt; mso-ansi-language: EN-AU;">Austin Sarat, ‘Editorial’ (2005) 1</span><span style="color: black; font-family: Arial; font-size: 6.5pt; mso-ansi-language: EN-AU; mso-bidi-font-size: 12.0pt;"> </span><i style="mso-bidi-font-style: normal;"><span style="color: black; font-family: Arial; font-size: 6.5pt; mso-ansi-language: EN-AU;">Law,
Culture and the Humanities</span></i><span style="color: black; font-family: Arial; font-size: 6.5pt; mso-ansi-language: EN-AU; mso-bidi-font-size: 12.0pt;"> </span><span style="color: black; font-family: Arial; font-size: 6.5pt; mso-ansi-language: EN-AU;">279.<o:p></o:p></span></div>
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Cass Sharphttp://www.blogger.com/profile/15210295670379120340noreply@blogger.com10tag:blogger.com,1999:blog-3975145188967570678.post-27620100427979431252014-03-09T20:02:00.000-07:002014-03-09T20:04:03.651-07:00Dressed for success at the expense of ethics?<div class="MsoNormal">
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<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvDBS1HzkKgaQ0xp2x3Wk-FGnPAnMCmg5HH9vVJ-0Vqj81L-0egxvG-oPKLza6ltZeTAlBT5YPHc9tJCfzYc0ciflacbp92unHzzn2jaR5yxJ8uzUTHVXzDTtLpOck-t-moy7ExrukAiw/s1600/suits+nothing+but+the+half+truth.png" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgvDBS1HzkKgaQ0xp2x3Wk-FGnPAnMCmg5HH9vVJ-0Vqj81L-0egxvG-oPKLza6ltZeTAlBT5YPHc9tJCfzYc0ciflacbp92unHzzn2jaR5yxJ8uzUTHVXzDTtLpOck-t-moy7ExrukAiw/s1600/suits+nothing+but+the+half+truth.png" height="147" width="400" /></a></div>
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<div style="text-align: justify;">
<span style="font-size: large;">Suits has become my
all time favourite law show – it is sleek, funny, sophisticated and engaging.
The complex characters draw you in to the high stakes world of corporate
litigation. If you haven't had the pleasure of viewing this series, you can check out the trailer<a href="http://www.youtube.com/watch?v=vhKwv6ZNG5M" target="_blank"> here</a>. </span><br />
<span style="font-size: large;"><br /></span>
<span style="font-size: large;">Harvey Specter, Mike Ross, Rachel Zane – these young lawyers are
impeccably dressed and live for the law and for their careers, but the question
that lingers from week to week (apart from the ongoing Mike/Rachel
relationship) is whether the blurry ethical decisions they regularly make are
worth it. The premise of the show itself is based in this murky grey area: with
the central character, Mike having no actual law qualifications at all (having
not actually attended law school or passed the bar), and yet by deception
practices law (with great success) under his mentor Harvey Specter. Albeit, his
photographic memory, genius intelligence, and dogged determination earns him
some credence in the practice of law, yet his deceit keeps him in a constant
panic of being found out. </span></div>
<span style="mso-ansi-language: EN-AU;"></span><br />
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<span style="mso-ansi-language: EN-AU;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhd5e8TnRy0781ovCf0bNL-RPuOXqbb7ocPyKym7tMc4Ovr5EfxJjD6iO2dahhwISY65Eq7VhZM1emoEfCXImV0_lHCyZM14LBqyuTX_drV6qTpsu_PNPdS32fhKY7p6XSHtJZu936IpcI/s1600/harvey+spector.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em; text-align: justify;"><span style="font-size: large;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhd5e8TnRy0781ovCf0bNL-RPuOXqbb7ocPyKym7tMc4Ovr5EfxJjD6iO2dahhwISY65Eq7VhZM1emoEfCXImV0_lHCyZM14LBqyuTX_drV6qTpsu_PNPdS32fhKY7p6XSHtJZu936IpcI/s1600/harvey+spector.jpg" height="320" width="320" /></span></a></span></div>
<span style="mso-ansi-language: EN-AU;">
</span><br />
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<span style="mso-ansi-language: EN-AU;"><span style="font-size: large;"><br /></span></span></div>
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<span style="mso-ansi-language: EN-AU;"><span style="font-size: large;">Thankfully for Mike, Harvey lives in the ethically
grey – and together they use their particular legal skills sets to serve the
best interests of their clients. Despite the ethical issues they often skirt
around (misrepresenting facts in negotiations, not passing on information to
clients, lying) we love their transgressive ways because they are usually
acting to serve their clients. <o:p></o:p></span></span></div>
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<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="mso-ansi-language: EN-AU;"><span style="font-size: large;">As viewers, we love
the conflict created by these murky situations. It is these ethically grey
decisions that compel us to watch each episode – to see how and why the
characters will respond to difficult situations – to see what crazy strategy
will work for each character – and to see how these decisions impact on the
bromance between Mike and Ross. </span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="mso-ansi-language: EN-AU;"><span style="font-size: large;"><br /></span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="mso-ansi-language: EN-AU;"><span style="font-size: large;">But... at what point do we no longer appreciate or
approve of the characters blurring the lines between ethics and morality? To
what extent is it ok for a lawyer to transgress the ethical norms of the
profession? Have you thought any action of either Mike or Harvey has gone too
far? Let me know your thoughts? <o:p></o:p></span></span></div>
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<div class="MsoNormal">
<span style="font-size: large;"><i>By the way – a big
shout out to my law and pop culture class who have begun their adventure into the
world of law on the screen</i>! <o:p></o:p></span></div>
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Cass Sharphttp://www.blogger.com/profile/15210295670379120340noreply@blogger.com10tag:blogger.com,1999:blog-3975145188967570678.post-54082909087677367282014-02-06T15:38:00.001-08:002014-02-06T15:38:38.190-08:00ROBOCOP – the future of ‘justice’?<h2>
<b>Are you robophobic?</b> </h2>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: large;">If so, then don’t go
and see the newest incarnation of <i>RoboCop</i>, which as a reboot of the Paul
Verhoeven’s 1987 ‘new bad future’ sci-fi film, portrays a bionical manborg
taking on the criminal element of Detroit, USA.</span></div>
<div class="MsoNormal" style="text-align: justify;">
<span lang="EN-US"><span style="font-size: large;"><br /></span></span></div>
<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7UDEJD41V9-3KjqtSEPjC3T7lJlEBSso3UubMUkpo-WRr-OyC4CYPoOT-ooJSSwFuypEhWoveALfT37VbFuntgq40Be7R1AbZ7ld3UcSQA8z0Fcf2d2G4NJgB4e-8h4gJWW7YyuD5t08/s1600/robocop_2014_movie-1400x1050.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><span style="font-size: large;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj7UDEJD41V9-3KjqtSEPjC3T7lJlEBSso3UubMUkpo-WRr-OyC4CYPoOT-ooJSSwFuypEhWoveALfT37VbFuntgq40Be7R1AbZ7ld3UcSQA8z0Fcf2d2G4NJgB4e-8h4gJWW7YyuD5t08/s1600/robocop_2014_movie-1400x1050.jpg" height="240" width="320" /></span></a></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: large;"><span lang="EN-US">Directed by Jose Padilha, the film provides
an update to the cyborg concept by </span><span style="mso-ansi-language: EN-AU;">combining
human and machine to create a new law enforcement product. The </span><span lang="EN-US">new and improved RoboCop (complete with one
human hand, visible face and updated robotic wardrobe) is charged with stemming the tide of crime and corruption in Detroit. </span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: large;"><span lang="EN-US"><br /></span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: large;"><span lang="EN-US">It is the year 2028 and </span>multinational conglomerate OmniCorp is at the center of robot
technology. Their drones are winning American wars around the globe and now
they want to bring this technology to the home front. Alex Murphy (Joel
Kinnaman) is a loving husband, father and good cop, but he is critically
injured by a planted carbomb. OmniCorp then utilizes their remarkable robotic
technology to save Alex's life, and they outfit him with the Robocop body and
software, which gives him enhanced strength along with instant computing
information in his brain. </span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: large;"><br /></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: large;">As the movie progresses we quickly see the outworking
of the blurred boundary between humans and computers with the underlying
question: <i>When will a human become a computer and a computer become human?</i></span></div>
<div class="MsoNormal" style="text-align: justify;">
<br /></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="mso-ansi-language: EN-AU;"><span style="font-size: large;">Although this
consistent sci-fi paradigm of unease surrounding the relationship of humans and
technology is intriguing, what interests me more is the implications of
integrating robotics into law enforcement. What does it say about our contemporary
systems of justice that we envisage our future as needing high-tech tinmen to
provide justice? </span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="mso-ansi-language: EN-AU;"><span style="font-size: large;"><br /></span></span></div>
<div class="MsoNormal" style="text-align: justify;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhudiBwkDvPFRkdfwH0Cerzu-LKKGpq6tsLg016cyep0KVcm3q-lLcnPfaIVryaZ6RAGpsZrmJJr73Yxs-KKRZ2FLq3Q3rvpR7KvM72HqUl6p7l0Wr68rMjIafFuZyWB9u9bXpHL6J0nlA/s1600/Robocop-2014-this-is-the-future-of-american-justice-promo.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><span style="font-size: large;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhudiBwkDvPFRkdfwH0Cerzu-LKKGpq6tsLg016cyep0KVcm3q-lLcnPfaIVryaZ6RAGpsZrmJJr73Yxs-KKRZ2FLq3Q3rvpR7KvM72HqUl6p7l0Wr68rMjIafFuZyWB9u9bXpHL6J0nlA/s1600/Robocop-2014-this-is-the-future-of-american-justice-promo.jpg" height="320" width="320" /></span></a><span style="font-size: large;"></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: large;"><span style="font-size: large;"><br /></span></span></div>
<span style="font-size: large;">If you watch the trailer (<a href="http://www.robocop.com/site/#videos" target="_blank">click here</a>), you can see the pervading message that the only solution to a criminal justice crisis, is NOT human. Indeed,
Alex Murphy as RoboCop is touted in the trailer as the ‘future of American justice’ to provide
support to a new dispassionate justice ‘system’. </span><br />
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: large;"><br /></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: large;">And what is even more fascinating is that, by indicating the human elements of instinct, fear and compassion
as inevitable interference with ‘the system’, the film again alludes to the
underlying premise that non-human actors devoid of emotion and passion, are the only vessels capable of providing
true justice. </span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: large;"><br /></span></div>
<div class="MsoNormal" style="text-align: justify;">
<span style="font-size: large;">I am looking forward to seeing the film to
see how it actually treats the tension between robotising the human, and humanising
the robot, as ways of achieving the never quite satiated public desire
for ‘justice’. <o:p></o:p></span></div>
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<span lang="EN-US"><span style="font-size: large;">If you see this film, feel free to let me
know your thoughts of the vision of ‘justice’ that is played with and presented. </span></span></div>
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Cass Sharphttp://www.blogger.com/profile/15210295670379120340noreply@blogger.com8tag:blogger.com,1999:blog-3975145188967570678.post-79808739238646369622013-11-03T20:07:00.000-08:002013-11-03T20:07:25.849-08:00A long time ago we used to be friends...Veronica Mars is back!<h2 style="text-align: justify;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWN59IgsG21R5pM41HAJBFMCxuihB2nCNRshuqzOvTYtHUQbPR_IArPYU_RXFlveQTUiTUO6ykHu5UZO4bYlq6vxx0RLzi6gjGZVj4XrpuJ3heSTy7DmPrAC2ACR5kEyVdqp0gWwnxk1U/s1600/vm.jpeg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjWN59IgsG21R5pM41HAJBFMCxuihB2nCNRshuqzOvTYtHUQbPR_IArPYU_RXFlveQTUiTUO6ykHu5UZO4bYlq6vxx0RLzi6gjGZVj4XrpuJ3heSTy7DmPrAC2ACR5kEyVdqp0gWwnxk1U/s1600/vm.jpeg" /></a><span style="font-size: x-large;"><div style="text-align: left;">
Vigilante Detective Veronica Mars is finally making it to the big screen…… </div>
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Thanks to the fans.</div>
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<span style="font-family: Orrin; font-size: large; text-align: justify;">If you
are a </span><i style="font-family: Orrin; font-size: x-large; text-align: justify;">Veronica Mars </i><span style="font-family: Orrin; font-size: large; text-align: justify;">fan, get ready to drink the Kool-Aid again because the (not-so-teen
anymore) sleuth is finally bringing her adventures to the silver screen. With
the release of the first <a href="http://www.youtube.com/watch?v=-VUqJ5ztNvc" target="_blank">official docu-trailer</a> this week, the </span><i style="font-family: Orrin; font-size: x-large; text-align: justify;">Veronica Mars</i><span style="font-family: Orrin; font-size: large; text-align: justify;">
(VM) team, with creator Rob Thomas at the helm, have demonstrated the enormous power
of a committed fanbase. Earlier this year, after years of trying to get the
movie off the ground Rob Thomas</span><span style="font-family: Orrin; font-size: large; text-align: justify;"> and several key cast members (including Kristen
Bell herself), sent out a call on social media for fans to contribute to the ‘kickstarter
project’ which would raise funds for a VM movie production. While Warner Bros
were happy for the movie to be made, they had reportedly indicated that they
weren’t actually willing to pay for its production.</span><span style="font-family: Orrin; font-size: large; text-align: justify;"> </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7ssMUSAC-BjDEHTfaw978lOI5IAl6rdoW9TwHaqwgEso18Bm_vKEB2E-PCQTrooFRchyphenhyphenx01H7sSzg1B-kQDf0e3euJE0YXB32tCLE5R647aD62ahyphenhyphenpKI19p8ei7jt94wNEF6l6clLURw/s1600/vm2.jpeg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em; text-align: center;"><img border="0" height="112" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh7ssMUSAC-BjDEHTfaw978lOI5IAl6rdoW9TwHaqwgEso18Bm_vKEB2E-PCQTrooFRchyphenhyphenx01H7sSzg1B-kQDf0e3euJE0YXB32tCLE5R647aD62ahyphenhyphenpKI19p8ei7jt94wNEF6l6clLURw/s200/vm2.jpeg" width="200" /></a><span style="font-family: Orrin;"><span style="font-size: large;">And so,
the ‘kickstarter’ project was born. <a href="http://www.kickstarter.com/" target="_blank">Kickstarter</a> is a web-based vehicle for independent creative
teams to seek public funding for their projects. Rob Thomas, Kristen Bell and
several other cast members created a promotional video seeking funding through
Kickstarter to get the project off the ground – <a href="http://www.kickstarter.com/projects/559914737/the-veronica-mars-movie-project?ref=live" target="_blank">you can see them here</a> in a hilarious video promising
‘rewards’ to those who pledge a contribution (if only I had gotten on board
earlier I could have had a personally recorded answering machine message from
Kristen herself). <o:p></o:p></span></span></div>
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<span style="font-family: Orrin;"><span style="font-size: large;">Amazingly,
within 12 hours of launching the kickstarter campaign, the VM movie reached a
massive $2 million in pledges. By the end of the funding campaign they
succeeded in raising over $5 million, and broke a number of kickstarter records
while doing it. <o:p></o:p></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLOuRVha_bMLUP4W4OD8nHsYIOSCuqYzAv0mTHTdNe9Ggmi6CbCZbsQ1hGv8g1VlK9UcV4e3EgzCFAC4C8dY8juF3Rcs0W0uuE70XgwooidjQvrWg34jyRZSrOOzJV-d9XIk064p3lfoU/s1600/the--veronica-mars--.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="213" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjLOuRVha_bMLUP4W4OD8nHsYIOSCuqYzAv0mTHTdNe9Ggmi6CbCZbsQ1hGv8g1VlK9UcV4e3EgzCFAC4C8dY8juF3Rcs0W0uuE70XgwooidjQvrWg34jyRZSrOOzJV-d9XIk064p3lfoU/s320/the--veronica-mars--.jpg" width="320" /></a><span style="font-size: large;"><span style="font-family: Orrin;">Fans
clearly love this show. And thanks to the fans this movie will be coming to our
screens in 2014. <b>But what is so great about Veronica Mars?</b> On the surface it
may have seemed like just another high school teen drama, but </span><span style="font-family: Orrin;">at its
core, it was a show that celebrated the empowered (yet flawed) heroine, and it took the noir
detective genre to a whole new generation. As a major character, Veronica was not
only intelligent , articulate and independent, but she also had a strength of
character that enabled her to pursue justice with angry power and confidence. As
a ‘detective’ Veronica was able to defend herself against both cops and
criminals, and more crucially against the social elite. As an ‘outsider’ herself
through most of the series, she regularly took a stand for the marginalized. And
these personal qualities, along with her wry sense of humour and wit, endeared
her to the fans. <o:p></o:p></span></span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtCHd48CizQqQwV43gu4WqMutE91dz0E004lXhTQGm4wPToqb-k8B3hZmDYKFzaJpU7uMPBEIEAMCREp1eKevIix2oL1kCQzUCQ61d1wByQxd6EqJN9D997rD4fBB6i8ns8mwWSt6SE4U/s1600/veronica_mars_36454.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em; text-align: center;"><img border="0" height="166" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgtCHd48CizQqQwV43gu4WqMutE91dz0E004lXhTQGm4wPToqb-k8B3hZmDYKFzaJpU7uMPBEIEAMCREp1eKevIix2oL1kCQzUCQ61d1wByQxd6EqJN9D997rD4fBB6i8ns8mwWSt6SE4U/s320/veronica_mars_36454.jpg" width="320" /></a><span style="font-family: Orrin;"><span style="font-size: large;">But for me, it was her vigilante-esque
quality that stood out most from this series. Veronica existed within a
somewhat lawless Neptune - a world where the justice system is corrupt and the
audience was encouraged to support Veronica as she resorted to a form of
vigilantism to regain some power and control within her particular landscape. Interestingly,
Veronica’s sense of justice was based on a subjective, emotional and personal
notion of what is ‘right’ in any given situation, and most importantly, this was usually contrasted with the standard of the prevailing institutional justice
system. </span></span><br />
<span style="font-family: Orrin;"><span style="font-size: large;"><br /></span></span>
<table cellpadding="0" cellspacing="0" class="tr-caption-container" style="float: right; margin-left: 1em; text-align: right;"><tbody>
<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEho7pYayO4AsVWp6WQOZuVhGuSZn8L00CiLCS4UHk4Causd3K9QPHvYR0GvqxuIBz0NxLIqYYvDHOGATYVxbK6iUGy1sn0FrpIIiVVgCyjVqZQmZMqu0NKtXGgf-5PywwdwRECMKC-cXuY/s1600/v_mars_logo.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto; text-align: center;"><img border="0" height="192" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEho7pYayO4AsVWp6WQOZuVhGuSZn8L00CiLCS4UHk4Causd3K9QPHvYR0GvqxuIBz0NxLIqYYvDHOGATYVxbK6iUGy1sn0FrpIIiVVgCyjVqZQmZMqu0NKtXGgf-5PywwdwRECMKC-cXuY/s320/v_mars_logo.jpg" width="320" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><a href="http://www.youtube.com/watch?v=opTliomomt8" target="_blank">see early promo video here</a></td></tr>
</tbody></table>
<span style="font-family: Orrin;"><span style="font-size: large;">It looks like this theme is to be continued in the film, as Veronica (newly
graduated from law and in New York to land a job) returns to Neptune to defend an
old friend against the contaminated justice system. Intriguingly, it is not evident
in the trailer as to whether Veronica will deploy her newly acquired legal acumen
and knowledge to provide this defence (ie actually provide a legal defence in
court); or if in returning to Neptune she returns to the old school methods of
good old investigation (ie cameras, stake outs, computer hacking etc). <span style="mso-spacerun: yes;"> Either way, l</span>et’s hope the old charm and wit has not
been lost in law school, and that her legal education only adds to her awesome
skills in deduction! </span></span><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgk156qkL_mty_ZLdCkAhfWeUXzjgfX8QJNwbcHVkq0DrowDZ9hkSHgpLle_zmUFLxxXBx8xfOUtsNwa7xbuFnyrJXvp_klNlhJ-ePzXEVy5qv12uSGkzaEWB_0SRBSrBwch7GVK2TgP8o/s1600/Marsinvestigations.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgk156qkL_mty_ZLdCkAhfWeUXzjgfX8QJNwbcHVkq0DrowDZ9hkSHgpLle_zmUFLxxXBx8xfOUtsNwa7xbuFnyrJXvp_klNlhJ-ePzXEVy5qv12uSGkzaEWB_0SRBSrBwch7GVK2TgP8o/s200/Marsinvestigations.jpg" width="197" /></a><span style="font-family: Orrin;"><span style="font-size: large;"><br /></span></span><br />
<span style="font-family: Orrin;"><span style="font-size: large;">Til then, MARShmallows, I'm Team Logan!</span></span></div>
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Cass Sharphttp://www.blogger.com/profile/15210295670379120340noreply@blogger.com1tag:blogger.com,1999:blog-3975145188967570678.post-49585565937736151232013-09-05T19:07:00.000-07:002013-09-06T02:32:06.394-07:00Connecting with Law Film Competition: And the winner is.... a UOW law student!! <br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhi8zfBPZKdu2pW8k2ZcJJa-h7IoeNIcbPlM8PZBT6uerNT5VmklNeLLe_hjO3ZzmRxC2xYCsO0Rs3fRxh0FD5K7SpjVku0or_GDwxZxaN_X4VledzHyA51a1bKzfxOTMpL3tInpHymQm4/s1600/HE_CWL_2013_web_banner.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="134" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhi8zfBPZKdu2pW8k2ZcJJa-h7IoeNIcbPlM8PZBT6uerNT5VmklNeLLe_hjO3ZzmRxC2xYCsO0Rs3fRxh0FD5K7SpjVku0or_GDwxZxaN_X4VledzHyA51a1bKzfxOTMpL3tInpHymQm4/s640/HE_CWL_2013_web_banner.jpg" width="640" /></a></div>
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<span style="font-size: large;">I am pleased to share with you the news that 3 students from my law school at the University of Wollongong (UOW) have been recognised in the Oxford University Press (OUP) <i>Connecting with Law</i> Film Competition 2013! </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNcDuwMd6jWTr6zc52nPvXu5QyZ2qQ-W0ohAI6C1xiO5SExCG57nySt93ycMQ6QPX23B0fliOUQakwZ1-qPo_Szp0epMtZdGydObtsRVCX2Kk5fY1Yrlim2UGhryjnkvTeWq6CxTy4qyA/s1600/win+copy.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="225" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgNcDuwMd6jWTr6zc52nPvXu5QyZ2qQ-W0ohAI6C1xiO5SExCG57nySt93ycMQ6QPX23B0fliOUQakwZ1-qPo_Szp0epMtZdGydObtsRVCX2Kk5fY1Yrlim2UGhryjnkvTeWq6CxTy4qyA/s400/win+copy.jpg" width="400" /></a><span style="font-size: large;"><br /></span></div>
<span style="font-size: large;">Congratulations to <b>Ryleigh Bowman</b> who was </span><span style="font-size: large;">awarded first prize (joint winner) for</span><span style="font-size: large;"> his entry: </span><i style="font-size: x-large;">5 Senses to Studying Law</i><span style="font-size: large;">.</span><br />
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<span style="font-size: large;">Ryleigh is a first year student studying Law and Engineering who has always had a passion for film making, and so when the competition came to his attention, he jumped at the chance to put his burgeoning skills to good use.</span></div>
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<span style="font-size: large;">OUP were searching for short films that creatively explored the theme of 'top tips for studying law'. The criteria specified that winning films would be chosen for originality, entertainment value and the level at which they encouraged law students to positively 'connect' with the study of law. Ryleigh (and his filmmaking partner Sam who also appears in the film) explored this theme by finding a concept they believed everyone could relate to: the 5 senses of the body. You can check out his light-hearted satirical <a href="http://vimeo.com/73188170" target="_blank">winning entry here</a>.</span></div>
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<span style="font-size: large;">I am also proud to say that 2 more students from UOW Law received accolades in the competition: </span></div>
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<span style="font-size: large;"><b>Sigrid Helland </b>was the Runner-Up with her original song detailing a day in the life of a law student - <i>Song About Law </i>(<a href="http://vimeo.com/73186575" target="_blank">to watch click here</a>); and</span></div>
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<span style="font-size: large;"><b>Skye Roberts and Lachlan Roberts</b> were awarded with Highly Commended for <i>Life and Law </i>(<a href="http://vimeopro.com/user14908657/connecting-with-law-short-film-competition/video/73187589" target="_blank">to watch click here</a>)<i>. </i></span></div>
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<span style="font-size: large;">It is great to see law students engaging with aspects of the wider legal culture and particularly exploring the everyday legal consciousness of life as a law student. </span></div>
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<span style="font-size: large;">Congratulations to all the winners and participants of the competition. Stay tuned to the <a href="http://www.oup.com.au/higher_education/law/connecting_with_law_short_film_competition" target="_blank">OUP website</a> for details of what's in store next year.</span></div>
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Cass Sharphttp://www.blogger.com/profile/15210295670379120340noreply@blogger.com2tag:blogger.com,1999:blog-3975145188967570678.post-42537182081258828572013-08-25T22:01:00.001-07:002013-08-26T03:38:16.279-07:00Batman v Superman: Who would win?<table align="center" cellpadding="0" cellspacing="0" class="tr-caption-container" style="margin-left: auto; margin-right: auto; text-align: center;"><tbody>
<tr><td><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaYPpVKcw2FxUT4Dswq8DZZd_kThyphenhyphen0vNmiGza67zzqHVpox1E0vjfVioId9DA6KPxd0TVXMA4ZMTkvTVphJMt1TKHhl1nTHgVAmNE6owwdYXxzK_IyK2YrLdcrsr4XFTwOQPm7la2ASrk/s1600/official-logo-batman-vs-superman-movie-out.jpg" imageanchor="1" style="margin-left: auto; margin-right: auto;"><span style="font-family: Times, Times New Roman, serif; font-size: large;"><img border="0" height="348" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjaYPpVKcw2FxUT4Dswq8DZZd_kThyphenhyphen0vNmiGza67zzqHVpox1E0vjfVioId9DA6KPxd0TVXMA4ZMTkvTVphJMt1TKHhl1nTHgVAmNE6owwdYXxzK_IyK2YrLdcrsr4XFTwOQPm7la2ASrk/s640/official-logo-batman-vs-superman-movie-out.jpg" width="640" /></span></a></td></tr>
<tr><td class="tr-caption" style="font-size: 13px;"><span style="font-family: Times, Times New Roman, serif; font-size: x-small;"><span class="caption-body" style="background-color: white; border: 0px; color: #666666; line-height: 20px; margin: 0px; outline: 0px; padding: 0px; text-align: start; vertical-align: baseline;">A combined logo revealed during Comic-Con in San Diego. </span><span style="background-color: white; color: #666666; line-height: 20px; text-align: start;"></span><span class="caption-photo" style="background-color: white; border: 0px; color: #9ba6b5; line-height: 20px; margin: 0px; outline: 0px; padding: 0px; text-align: start; vertical-align: baseline;"><br />Warner Bros.</span></span><br />
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<span style="font-size: x-large;"><span style="font-family: Times, 'Times New Roman', serif;">With the news at Comic Con in San Diego last month that Warner Bros was going to follow </span><i style="font-family: Times, 'Times New Roman', serif;">Man of Steel</i><span style="font-family: Times, 'Times New Roman', serif;"> with a Batman/Superman sequel, speculation immediately started about what type of film this would be. </span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxAD1hjyuqY9J5oxRxV5FUPMGg-6_9WH6EQCIpRpXl8mregzSSNCDai1goDOCHK5G4jb67E3O46X6aIOyNlJWj0lD2RKQZaKx36l-zDSCg59_i_vPg7lo1G3HQ86cjRJ9RXLTmoOIJX80/s1600/Batman-Vs-Superman-1-TPTIVIRZ0S-1024x768.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="300" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhxAD1hjyuqY9J5oxRxV5FUPMGg-6_9WH6EQCIpRpXl8mregzSSNCDai1goDOCHK5G4jb67E3O46X6aIOyNlJWj0lD2RKQZaKx36l-zDSCg59_i_vPg7lo1G3HQ86cjRJ9RXLTmoOIJX80/s400/Batman-Vs-Superman-1-TPTIVIRZ0S-1024x768.jpg" width="400" /></a></div>
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<span style="font-size: large;">Would it pit the two superheroes against each other? What would the plot involve? How can they both 'fight for justice' if they are at each other's throats? and probably one of the most important questions: </span><i style="font-size: x-large;">Who would replace Christian Bale as Batman?</i></div>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNW2BTODjCVfmtqHM6H8RhAvWPW8k4N40vgbmv55r81xzrtwDyDfqI5Bh_IHBf2FdoMRs3U4ptCWWB5okalk8DXGc2lmjeEOu7KI4uReSB5d0O46035D9AqK1wE9xrJgbUOu89Usjm-Fg/s1600/ben_affleck_rect.jpg" imageanchor="1" style="clear: right; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><span style="font-family: Times, Times New Roman, serif;"><img border="0" height="133" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiNW2BTODjCVfmtqHM6H8RhAvWPW8k4N40vgbmv55r81xzrtwDyDfqI5Bh_IHBf2FdoMRs3U4ptCWWB5okalk8DXGc2lmjeEOu7KI4uReSB5d0O46035D9AqK1wE9xrJgbUOu89Usjm-Fg/s200/ben_affleck_rect.jpg" width="200" /></span></a></td></tr>
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<span style="font-family: Times, Times New Roman, serif;">The new Batman! </span></h3>
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<span style="font-family: Times, Times New Roman, serif; font-size: large;">While Warner Bros had from the beginning hinted at the possibility that the two superheroes could be enemies at some point in the film, it was only a couple of days ago that the studio started an internet frenzy by announcing that it would be <b>Ben Affleck</b> who would don the batsuit this time around. </span></div>
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<span style="font-family: Times, 'Times New Roman', serif; font-size: large;">Given that Affleck's last superheroic outing as </span><i style="font-family: Times, 'Times New Roman', serif; font-size: x-large;">DareDevil</i><span style="font-family: Times, 'Times New Roman', serif; font-size: large;"> didn't exactly wow critics and comic fans alike, it is unsurprising that there is a public backlash against the choice. In fact, some people are so against him that they have signed a petition to 'remove Ben Affleck as Batman'. The petition at last count was up around 60,000 signatures!</span></div>
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<span style="font-family: Times, Times New Roman, serif; font-size: large;">But not everyone is a hater.... Joss Whedon gave his approval via twitter: </span></div>
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<span style="font-size: large;"><span style="background-color: white; color: #333333; line-height: 18px; white-space: pre-wrap;"><span style="font-family: inherit;"><i>Affleck'll crush it. He's got the chops, he's got the chin -- just needs the material. Affleck & Cavill toe to toe -- I'm in.</i></span></span></span></div>
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<span style="font-family: Times, Times New Roman, serif; font-size: large;">It might also be helpful to remember that in 2006, most people hated the idea of Heath Ledger taking on the role of the Joker (<a href="http://geektyrant.com/news/2012/5/22/the-internets-reaction-to-heath-ledger-being-cast-as-the-jok.html" target="_blank">see examples here</a></span><span style="font-family: Times, 'Times New Roman', serif; font-size: large;">) and yet he went on to be universally celebrated for it. </span></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYekBM0Gtp9UXrvXLFh82cphUmlXA2zVHYDnM7374VyuKXJ-lBCeKUHTZD-BjE2cCf_W3fwKg8bUHbOmBfJs9JnQOTLzJW88WsDASCYg-FFzpBpa7L9Q1Uay5P_6leoB3u184F1PYtc9s/s1600/batman-vs.-superman-wallpapers_35040_1280x1024.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="256" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYekBM0Gtp9UXrvXLFh82cphUmlXA2zVHYDnM7374VyuKXJ-lBCeKUHTZD-BjE2cCf_W3fwKg8bUHbOmBfJs9JnQOTLzJW88WsDASCYg-FFzpBpa7L9Q1Uay5P_6leoB3u184F1PYtc9s/s320/batman-vs.-superman-wallpapers_35040_1280x1024.jpg" width="320" /></a><span style="font-family: Times, Times New Roman, serif; font-size: large;"></span><br />
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<b><span style="font-family: Times, Times New Roman, serif; font-size: large;">What do you think? Is Mr <i>Argo </i>any match for Henry Cavill's Superman? And for that matter - who do you think would win in a fight - Batman or Superman?</span></b><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjYekBM0Gtp9UXrvXLFh82cphUmlXA2zVHYDnM7374VyuKXJ-lBCeKUHTZD-BjE2cCf_W3fwKg8bUHbOmBfJs9JnQOTLzJW88WsDASCYg-FFzpBpa7L9Q1Uay5P_6leoB3u184F1PYtc9s/s1600/batman-vs.-superman-wallpapers_35040_1280x1024.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-right: 1em;"><span style="clear: left; font-size: large; margin-bottom: 1em; margin-right: 1em;"></span></a><br />
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<span style="font-family: Times, Times New Roman, serif; font-size: large;">Although no official images have been released by Warner Bros for the upcoming film (other than the one they put together for ComicCon: see top image), some fans have put together some ideas of what the Batman/Superman concept might look like. </span><br />
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<span style="font-family: Times, Times New Roman, serif; font-size: large;">I've included a couple of my faves here for your enjoyment! </span><br />
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6oaJuJWzMZp7ZRVawL9PsE0Io8Dry4VfM9CSYpa0eSF4lwtItNf8RfBQ-W1ciaPo8taDxENSis5t94zGpQLTvAq3qA6hpPTSVKo4q6BUg6GzMFY7iLFJ0Zb-ZkrOjz8gxt5LHdAa5YpY/s1600/superman_batman___world_s_finest___poster__1_0__by_ddsign-d6hcher.png" imageanchor="1" style="margin-left: auto; margin-right: auto;"><img border="0" height="640" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEj6oaJuJWzMZp7ZRVawL9PsE0Io8Dry4VfM9CSYpa0eSF4lwtItNf8RfBQ-W1ciaPo8taDxENSis5t94zGpQLTvAq3qA6hpPTSVKo4q6BUg6GzMFY7iLFJ0Zb-ZkrOjz8gxt5LHdAa5YpY/s640/superman_batman___world_s_finest___poster__1_0__by_ddsign-d6hcher.png" width="452" /></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;">Designed by: ddsign at Deviant Art see <a href="http://ddsign.deviantart.com/art/Superman-Batman-World-s-Finest-Poster-1-0-391932963" target="_blank">more of this designer here</a></td></tr>
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<tr><td style="text-align: center;"><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9Sc_jEaFdhVTOX6YN5-F8ZxPsl1ZtPTJOYbp7EsH0qmzTxTOnwfN1XoU81pAu6ZxHzU5ms9MpFzXRQPn0iKHDspCp-zF1zj4Kar2SaBbq3ygfdotFeZu53OXaem7uYOYAdCfr6HDOk1M/s1600/bat_sup_poster.jpg" imageanchor="1" style="clear: left; margin-bottom: 1em; margin-left: auto; margin-right: auto;"><span style="font-family: Times, Times New Roman, serif;"><img border="0" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEh9Sc_jEaFdhVTOX6YN5-F8ZxPsl1ZtPTJOYbp7EsH0qmzTxTOnwfN1XoU81pAu6ZxHzU5ms9MpFzXRQPn0iKHDspCp-zF1zj4Kar2SaBbq3ygfdotFeZu53OXaem7uYOYAdCfr6HDOk1M/s1600/bat_sup_poster.jpg" /></span></a></td></tr>
<tr><td class="tr-caption" style="text-align: center;"><span style="font-family: Times, Times New Roman, serif;">Designed by </span><span style="font-family: Times, 'Times New Roman', serif;"> </span><span style="font-family: Times, 'Times New Roman', serif;">JoshMC at </span><span style="font-family: Times, 'Times New Roman', serif;"><i>Fan Art Exhibit</i></span><br />
<span style="font-family: Times, 'Times New Roman', serif;"><i><br /></i></span>
<span style="font-family: Times, 'Times New Roman', serif; font-size: medium; text-align: start;">Click <a href="http://www.cinemablend.com/new/Best-Batman-Superman-Movie-Posters-By-Fans-38975-p1.html" target="_blank">here</a> for a few more...</span></td></tr>
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Cass Sharphttp://www.blogger.com/profile/15210295670379120340noreply@blogger.com4tag:blogger.com,1999:blog-3975145188967570678.post-81879952458177192952013-08-16T04:42:00.001-07:002013-08-25T22:01:53.973-07:00<h2>
<b style="mso-bidi-font-weight: normal;"><span lang="EN-US"><span style="font-size: x-large;">Terror on TV – <i>Homeland</i> Season 3 preview</span></span></b></h2>
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<b style="mso-bidi-font-weight: normal;"><span lang="EN-US"><span style="font-size: x-large;">Who do you trust?</span></span></b></div>
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgu9lcxqBQIBIBRanDxHphHUXCuIKEuq_bIiUX8E_PLYFPCXQ3Z7mY_ffSBw-KazWijYQ1wd54uPSZos_ojsCEc8neDXVJ8U8Pa7iFS9F-4RHcNSNlR5LhmyB-JyqIsLyFwMXScauIaZr0/s1600/Homeland.jpg" imageanchor="1" style="clear: left; float: left; margin-bottom: 1em; margin-right: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgu9lcxqBQIBIBRanDxHphHUXCuIKEuq_bIiUX8E_PLYFPCXQ3Z7mY_ffSBw-KazWijYQ1wd54uPSZos_ojsCEc8neDXVJ8U8Pa7iFS9F-4RHcNSNlR5LhmyB-JyqIsLyFwMXScauIaZr0/s320/Homeland.jpg" width="320" /></a></div>
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<span lang="EN-US"><span style="font-size: large;">It seems commonplace in this new political
landscape following the events of September 11, 2001 for television crime
dramas to draw on themes of political violence and threats to national security
as mechanisms for action-driven drama. Series such as <i style="mso-bidi-font-style: normal;">Alias</i>, <i style="mso-bidi-font-style: normal;">24</i>, <i style="mso-bidi-font-style: normal;">Lie to Me</i>, <i style="mso-bidi-font-style: normal;">The Unit</i> and <i style="mso-bidi-font-style: normal;">NCIS</i> all
incorporate distinct ‘terror and crime’ conventions that lend themselves to
thrilling television drama. From investigating acts of espionage to
neutralizing threats against homeland security, the persistent narratives
running across these dramas construct terrorists as the ‘other’ while all the
while legitimizing violent forms of manipulation and interrogation as
investigative tools, and conflating terror with domestic and international
crime. </span></span><br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikrabvVTFHwUFtbYWDiGrirMbBiYW94bXQQEh6kAJ4n817XbRJQMWlDe2JPV5jLGZ4Kb_j9Z2RfoBCVZw1My8ANKnel4HjAUmWeiPtM8b_Wj1AYKUb5Kw5-gnK8Vjwk9-hSn1DIOBpyA0/s1600/homeland+%25281%2529.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="320" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEikrabvVTFHwUFtbYWDiGrirMbBiYW94bXQQEh6kAJ4n817XbRJQMWlDe2JPV5jLGZ4Kb_j9Z2RfoBCVZw1My8ANKnel4HjAUmWeiPtM8b_Wj1AYKUb5Kw5-gnK8Vjwk9-hSn1DIOBpyA0/s400/homeland+%25281%2529.jpg" width="400" /></a><span lang="EN-US"><span style="font-size: large;">The US series <i style="mso-bidi-font-style: normal;">Homeland</i>,
recently completing its second season, takes the perpetuation of fear in
relation to terrorism to a whole new level. By dramatizing the possibility that
a US war-hero may have been ‘turned’ by the enemy and now poses a unique and
‘sleeper’ threat to national security, <i style="mso-bidi-font-style: normal;">Homeland</i>
utilizes the same narrative conventions of ‘terror’ described above and bumps them
up a notch – so that elements of political tension, violence, surveillance,
racial stereotyping and torture become part of a mediated experience of fear
for the viewer. </span></span><br />
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<span lang="EN-US"><span style="font-size: large;">The first two seasons, which played on the complicated lives of
Carrie Mathison (Claire Danes) and Nicholas Brody (Damian Lewis), received
critical acclaim and was well received by audiences. In particular, the
question of Brody’s conflicted loyalties kept viewers on their toes throughout
both seasons. In combination these episodes of <i style="mso-bidi-font-style: normal;">Homeland</i> have provoked a number of questions surrounding complex
issues of crime, terrorism, power relations and identity. Is there a common
enemy to be feared? What constitutes legitimate forms of coercive techniques?
How do we know what a ‘hero’ is? Can we trust in the authority of the state to
adequately protect us without infringing our rights?</span></span></div>
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<span lang="EN-US"><span style="font-size: large;">With season 3 to premiere soon (<a href="http://www.youtube.com/watch?v=iXOUIsu-E0Q" target="_blank">see the preview here</a>), it looks like these issues will continue to be at the foreground. It
will be interesting to see how the storyline progresses in relation to Brody’s
character. </span></span></div>
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<span lang="EN-US"><span style="font-size: large;">How do you see Brody – Is he a terrorist or
not?</span></span><br />
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Cass Sharphttp://www.blogger.com/profile/15210295670379120340noreply@blogger.com1tag:blogger.com,1999:blog-3975145188967570678.post-15911094280596793442013-08-06T19:41:00.000-07:002013-08-06T19:41:22.994-07:00Meet the 12th Doctor!<div class="separator" style="clear: both; text-align: center;">
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjp7wiUOCfGSJ4z4ikidYx97AdoBl_h36kTT9YFmW6ZibUDcEo1RtwNXjUXnOFjUZftA93BbbuCvrsGqzCZ2256tuW3XvSgiiKvQ7yhMdDLpZoe19oHhVuED_AJqfO2_uw_YKtfTn2FaHU/s1600/dr+who+logo.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="248" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjp7wiUOCfGSJ4z4ikidYx97AdoBl_h36kTT9YFmW6ZibUDcEo1RtwNXjUXnOFjUZftA93BbbuCvrsGqzCZ2256tuW3XvSgiiKvQ7yhMdDLpZoe19oHhVuED_AJqfO2_uw_YKtfTn2FaHU/s400/dr+who+logo.jpg" width="400" /></a></div>
<br />
<span style="font-size: large;">Ok - so Doctor Who is not a legal tv series - BUT it does consistently play with the seemingly complicated and sometimes inconsistent 'laws of time travel' (eg can history actually be rewritten or not?) and on that tenuous connection I wanted to share the news of the 12th Doctor! </span><br />
<span style="font-size: large;"><br /></span><span style="font-size: large;">With much speculation in recent times about who would take over from Matt Smith as the newest incarnation of the Doctor, it was revealed this week that <b>Peter Capaldi </b>will assume the role. </span><br />
<span style="font-size: large;"><br /></span><span style="font-size: large;">See the <a href="http://www.bbc.co.uk/programmes/p01dpxh4" target="_blank">official announcement and a brief interview here</a>.</span><br />
<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggTQquplkp3D50WRqmGrh0dzucBqF97Z8p0mGa6DbJ4Fpj1fIw2LIKRQ7XhN085YHkuwmCC2oGxT9_DKja8KHKHd4JfcFBr4q-aLS5xMLdNoGxHEqIV8gBiGEOKJ2YAvTHJTRGYxVlXGQ/s1600/peter+capaldi.jpg" imageanchor="1" style="clear: right; float: right; margin-bottom: 1em; margin-left: 1em;"><img border="0" height="200" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEggTQquplkp3D50WRqmGrh0dzucBqF97Z8p0mGa6DbJ4Fpj1fIw2LIKRQ7XhN085YHkuwmCC2oGxT9_DKja8KHKHd4JfcFBr4q-aLS5xMLdNoGxHEqIV8gBiGEOKJ2YAvTHJTRGYxVlXGQ/s200/peter+capaldi.jpg" width="149" /></a><span style="font-size: large;"><br /></span><span style="font-size: large;">Previously guest-starring in a 2008 episode of Doctor Who, </span><span style="font-size: large;">Peter Capaldi will appear in 2014 after Matt's Smith's departure in the Christmas Special.</span><span style="font-size: large;"> Apparently, at 55 he is the oldest actor to take on the role of the Time Lord since William Hartnell was the First Doctor in 1963.</span><br />
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<span style="font-size: large;">After getting used to the bowties and the quirkiness of young Matt Smith, it will be interesting to see how fans will respond to a return to a more mature Time Lord. Let me know what you think about this choice? In the meantime....</span><br />
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Cass Sharphttp://www.blogger.com/profile/15210295670379120340noreply@blogger.com2tag:blogger.com,1999:blog-3975145188967570678.post-31944696292658343532013-06-07T14:18:00.002-07:002013-06-07T14:20:48.196-07:00Law and Popular Culture: International Perspectives<h2>
<span style="font-size: x-large;">What does the film <i>True Grit, </i>the tv series <i>The Wire </i>and the books of <i>Harry Potter </i>have in common?<br />
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<a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOTzHZPOWteWBuAVtEXDlZddO5f8votuBJT-6AuyAzvSqnSEl090imJIfY0S5Dq_YR4vU_RRrByqfYKT79ItbAYADg1ipjQEtSgXZYQJ1WNC3nPwPhsIUIg8UkqVnuLCigpup1f3eR0KY/s1600/true_grit_poster.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="238" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEgOTzHZPOWteWBuAVtEXDlZddO5f8votuBJT-6AuyAzvSqnSEl090imJIfY0S5Dq_YR4vU_RRrByqfYKT79ItbAYADg1ipjQEtSgXZYQJ1WNC3nPwPhsIUIg8UkqVnuLCigpup1f3eR0KY/s320/true_grit_poster.jpg" width="320" /></a><a href="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaOVvTBgLKDmrrPEQ_5s1rQnSJUTr93OFHJVX-KVeyccs7oJLq44jjbivXX27ZihGh0b9dl4LtzhfAYQhyTywOYIOcCcds2kaZxvzrB4gXIJnZ5un2WZG7dee_on-avUu3CRPcMiFsag8/s1600/harry-potter-wallpaper-10241.jpg" imageanchor="1" style="margin-left: 1em; margin-right: 1em;"><img border="0" height="150" src="https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEiaOVvTBgLKDmrrPEQ_5s1rQnSJUTr93OFHJVX-KVeyccs7oJLq44jjbivXX27ZihGh0b9dl4LtzhfAYQhyTywOYIOcCcds2kaZxvzrB4gXIJnZ5un2WZG7dee_on-avUu3CRPcMiFsag8/s200/harry-potter-wallpaper-10241.jpg" width="200" /></a></div>
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<span style="font-size: large;">The law of course! </span><br />
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<span style="font-size: large;">I have just spent two full days at the <i>Law and Popular Culture: International Perspectives Conference</i> in Tilburg, Netherlands where I was surrounded by the rock stars of law and pop culture scholarship! </span><br />
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<span style="font-size: large;">In a setting where I didn't have to explain that my research is actually legitimate before presenting my ideas, inspiration for future projects abounded. </span><br />
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<span style="font-size: large;">My paper was a focus on the nature of retributive desire in both pop culture and personal ideas of justice, and I was inspired to think further about something that has popped up before in this blog - the idea of revenge. </span><br />
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<span style="font-size: large;">As part of my paper I showed a clip from <i>Arrow - </i>the latest superhero to grace Australian screens and I've included it here as a teaser for more posts from me about this topic.....</span><br />
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<span style="font-size: large;">As one person commented in a previous post: where does justice end and revenge begin?? This has become my new project......any thoughts?</span>Cass Sharphttp://www.blogger.com/profile/15210295670379120340noreply@blogger.com4